'At the opening of this fascinating study, Ian Newman assures us, with nimble irony, that 'I have had more fun researching and writing this book than accords with the usual image of academic pointy-headed severity'. Yet for all its self-deprecation, this is a learned account that sets about tracing such intricacies as 18th-century state surveillance, the tensions between feminised 'fashionable sociability' and 'the masculine commercialized politics of clubs and coffeehouses', and 'the pleasure of politics and the politics of pleasure, and how they gave shape to ideas about literature'.' Peter J. Smith, The Times Higher Education

'… The Romantic Tavern is an important book that examines neglected literary traditions to shed light on canonical writings. It will stimulate literary critics and Romantic era specialists in general; the 'convivial public sphere' is a promising critical category.' Rémy Duthille, The Review of English Studies

'Newman's book does our field a great service by excavating the worlds of the Romantic tavern, reminding us that the image of the solitary Romantic was at its initial formation predicated on the communal and convivial, even if only its residue remains.' Steve Newman, The Wordsworth Circle

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'In his essay 'Pleasure: A Political Issue' (1983), Fredric Jameson argues that the political left has often vacillated in its ideological approach to pleasure, shifting back and forth between the two extremes of individualist hedonism and high-minded puritanism. The Romantic Tavern gives us an animated picture of how the Romantic period negotiated these issues. We should toast that.' Ian Haywood, The BARS Review

'The Romantic Tavern will likely change the way readers encounter written Romantic works.' John Savarese, European Romantic Review

The tavern is widely acknowledged as central to the cultural and political life of Britain, yet widely misunderstood. Ian Newman provides the first sustained account of one of the primary institutions of the late eighteenth-century public sphere. The tavern was a venue not only for serious political and literary debate, but also for physical pleasure - the ludic, libidinal and gastronomic enjoyments with which late Georgian public life was inextricably entwined. This study focuses on the architecture of taverns and the people who frequented them, as well as the artistic forms - drinking songs, ballads, Anacreontic poetry, and toasting - with which the tavern was associated. By examining the culture of conviviality that emerged alongside other new forms of sociability in the second half of the eighteenth century, The Romantic Tavern argues for the importance of conviviality as a complex new form of sociability shaped by masculine political gathering and mixed company entertainments.
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Part I. Tavern Space: 1. Introduction; 2. London tavern: Edmund Burke, the East India Company and literary men; 3. Crown and anchor dreams: sedition in the Strand; Part II. Tavern Genres: 4. Political ballads: Captain Morris and the convivial Whigs; 5. Anacreontic odes: drink poetry and the politics of pleasure; 6. Bawdy and lyrical ballads: Wordsworth and the ballad debates of the 1790s; 7. Toasting: political speech, convivial art; 8. Epilogue; Notes; Bibliography; Index.
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An examination of taverns in the Romantic period, with a particular focus on architecture and the culture of conviviality.

Produktdetaljer

ISBN
9781108455923
Publisert
2021-03-18
Utgiver
Vendor
Cambridge University Press
Vekt
440 gr
Høyde
230 mm
Bredde
150 mm
Dybde
20 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
300

Forfatter

Om bidragsyterne

Ian Newman is an Assistant Professor of English at the University of Notre Dame, Indiana, and a fellow of the Keough-Naughton Institute for Irish Studies, where he specializes in eighteenth- and nineteenth-century British and Irish literature. He has co-edited Charles Dibdin and Late Georgian Culture (2018) with Oskar Cox Jensen and David Kennerley, and his work has appeared in Studies in English Literature, European Romantic Review, Eighteenth-Century Studies, and Studies in Romanticism.