<b>The combination of humanism and criticism in this short book<i> </i>is remarkable,</b> and reminds us not to look away from the situation, as a first step towards answering the searching questions it raises

Frieze

<b>A clear-eyed meditation</b> on myth, confrontation and the Palestinian struggle for liberation . . . <b>deeply moving</b> . . . Hammad urges her readers to listen, think beyond despair, and speak out

Big Issue

Hammad’s writing <b>burns with fierce intelligence</b>, <b>humane insight</b> and <b>righteous anger</b>. For those at risk of despair, doubtful of the role literature has to play in times of crisis, it is a reminder of the <b>radical potential of reading</b> and the <b>possibility of change</b>

- Olivia Sudjic,

<i>Recognising the Stranger</i> is <b>a rigorous interrogation of the power of narrative</b>, its usefulness, its various forms, and the ways it shapes our modes of being in the world. It speaks to literature’s capacity to invoke moments of recognition, and pushes us, as readers, to reconsider the function of storytelling within structures of oppression. It does this with <b>a deep sense of conviction and moral clarity</b> conveyed by a writer who is, by all accounts, <b>a supremely gifted communicator</b>, and we are all the better for it

- Michael Magee,

<b>Extraordinary and amazingly erudite</b>. Hammad shows how art and especially literature can be much, much more revealing than political writing

- Rashid Khalidi,

<b>Thought-provoking and timely</b>, this lecture celebrates Said's intellectual courage and enduring relevance while highlighting the cruelty in which Palestinians continue to live. Combining both her literary skill and acute power of observation, Hammad weaves together <b>a diagnostic and powerful essay </b>which will <b>undoubtedly be appreciated for years to come</b>

- Diana Buttu,

Animated by an extraordinary faith in the power of art to return us to the human in ourselves and each other, <i>Recognising the Stranger </i>is a <b>profound exploration of myth, meaning, the novel, the Palestinian struggle and the work of Edward W. Said</b>. The insights she finds into the present moment feel <b>at once prescient and eternal</b> and the result left me changed

- Alexander Chee,

<i>Recognising the Stranger</i> marks an uncharted terrain of literary critique in the shadow of Edward Said, revealing abundant insight about both the method and the intellectual. In this<b> powerful revelation</b>, Isabella Hammad triumphantly teaches us about anagorisis and produces a work that is its embodiment. A <b>moving read</b> characterised by its timelessness and the precision with which <b>it speaks to this historical moment</b>

- Noura Erakat,

An <b>urgent work for a devastating time</b>, <i>Recognising the Stranger</i> proves that Isabella Hammad is as fine a critic as she is a novelist. Following in the tradition of Edward Said, she demands an ethical, political and artistic confrontation with the text, the world, and the other. It is hardly a surprise that she is <b>one of our most astute writers</b> when it comes to Palestine

- Viet Thanh Nguyen,

Isabella Hammad’s <i>Recognising the Stranger</i>, the text of her 2023 Columbia University Edward W. Said Lecture published with a new afterword a year on from the event, weaves its literary critical apparatus into <b>an urgent intervention in the Palestinian struggle for liberation</b>

ArtReview