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Performing Epic or Telling Tales

Macintosh Fiona M. McConnell Justine
Innbundet / 2020 / Engelsk

Produktdetaljer

ISBN
9780198846581
Publisert
2020
Utgiver
Oxford University Press; Oxford University Press
Vekt
368 gr
Høyde
222 mm
Bredde
145 mm
Dybde
16 mm
Aldersnivå
P, UP, 06, 05
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
176

Forfatter
Macintosh Fiona M.
McConnell Justine

Om bidragsyterne

Fiona Macintosh is Professor of Classical Reception, Director of the Archive of Performances of Greek and Roman Drama (APGRD), and Fellow of St Hilda's College at the University of Oxford. She is the author of Dying Acts: Death in Ancient Greek and Modern Irish Tragic Drama (Cork University Press, 1994), Greek Tragedy and the British Theatre, 1660-1914 (with Edith Hall; OUP, 2005), and Sophocles: Oedipus Tyrannus (CUP, 2009), and has also edited numerous APGRD volumes, including most recently The Oxford Handbook of Greek Drama in the Americas (with Kathryn Bosher, Justine McConnell, and Patrice Rankine; OUP, 2015), Epic Performances from the Middle Ages into the Twenty-First Century (with Justine McConnell, Stephen Harrison, and Claire Kenward; OUP, 2018), and Seamus Heaney and the Classics: Bann Valley Muses (with Stephen Harrison and Helen Eastman; OUP, 2019). Justine McConnell is Lecturer in Comparative Literature at King's College London. She is the author of Black Odysseys: The Homeric Odyssey in the African Diaspora since 1939 (OUP, 2013), and co-editor of four volumes: Ancient Slavery and Abolition: From Hobbes to Hollywood (with Edith Hall and Richard Alston; OUP, 2011), The Oxford Handbook of Greek Drama in the Americas (with Kathryn Bosher, Fiona Macintosh, and Patrice Rankine; OUP, 2015), Ancient Greek Myth in World Fiction since 1989 (with Edith Hall; Bloomsbury, 2016), and Epic Performances from the Middle Ages into the Twenty-First Century (with Fiona Macintosh, Stephen Harrison, and Claire Kenward; OUP, 2018).

Performing Epic or Telling Tales

Macintosh Fiona M. McConnell Justine
Innbundet / 2020 / Engelsk
Macintosh Fiona M. McConnell Justine
Innbundet / 2020 / Engelsk
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Recommended. Graduate students, researchers, faculty.

D. Lateiner, CHOICE

Performing Epic or Telling Tales takes the new millennium as a starting point for an exploration of the turn to narrative in twenty-first-century theatre, which is often also a turn to Graeco-Roman epic. However, the dominant focus of the volume is less on 'what' the recent epic turn in the theatre consists of than 'why' it seems to be so prevalent: this turn is explained with reference not only to the translation and scholarly histories of the epics, but also to earlier performance traditions and, notably, to recent theoretical debates relating to text-based 'drama' and performance based 'theatre'. What is perhaps most remarkable about this epic turn is not simply the sheer number of outstanding performances that it has produced; it is also that recent practice appears to have outstripped much theoretical discussion about theatre. In chapters ranging from spoken word performances to ballet, from the use of machines and technology to performances that make space for voices occluded by the ancient epics, Performing Epic or Telling Tales seeks to contextualize and explain the 'narrative'/storytelling (re-)turn in recent live performances - a turn that regularly entails engagement with ancient Graeco-Roman epics, which have long provided poets, playwrights, artists, and theatre makers with a storehouse of rich, often perceived as 'raw', material. Refigured and refracted for the modern era, the epics of ancient Greece and Rome are found to be particularly revealing, and particularly 'telling' of the contemporary wider cultural sphere.
Les mer
From spoken word to ballet, ancient Greek and Roman epics regularly provide both the subjects and the form for emergent and seasoned theatre makers. This volume examines the 'why' of this epic turn, exploring not only the translation and scholarly histories of the epics, but also earlier performance traditions and recent theoretical debates.
Les mer
Frontmatter List of Illustrations 1: Performing Epic Now 2: Telling Tales on Stage 3: Telling Tales with Words 4: Telling Tales with the Body 5: Telling Tales with Machines 6: Telling Other Tales 7: Afterword Endmatter Bibliography Index
Les mer
Ranges widely across geographical, linguistic, and disciplinary boundaries, as well as across different genres of performance Brings together the dual perspective of two scholars known for their wide expertise in theatre history, classical reception, dance scholarship, and postcolonial studies, as well as oral poetics Supplements the systematic account of epic on the modern stage offered in the companion volume, Epic Performances from the Middle Ages into the Twenty-First Century (OUP, 2018)
Les mer
Fiona Macintosh is Professor of Classical Reception, Director of the Archive of Performances of Greek and Roman Drama (APGRD), and Fellow of St Hilda's College at the University of Oxford. She is the author of Dying Acts: Death in Ancient Greek and Modern Irish Tragic Drama (Cork University Press, 1994), Greek Tragedy and the British Theatre, 1660-1914 (with Edith Hall; OUP, 2005), and Sophocles: Oedipus Tyrannus (CUP, 2009), and has also edited numerous APGRD volumes, including most recently The Oxford Handbook of Greek Drama in the Americas (with Kathryn Bosher, Justine McConnell, and Patrice Rankine; OUP, 2015), Epic Performances from the Middle Ages into the Twenty-First Century (with Justine McConnell, Stephen Harrison, and Claire Kenward; OUP, 2018), and Seamus Heaney and the Classics: Bann Valley Muses (with Stephen Harrison and Helen Eastman; OUP, 2019). Justine McConnell is Lecturer in Comparative Literature at King's College London. She is the author of Black Odysseys: The Homeric Odyssey in the African Diaspora since 1939 (OUP, 2013), and co-editor of four volumes: Ancient Slavery and Abolition: From Hobbes to Hollywood (with Edith Hall and Richard Alston; OUP, 2011), The Oxford Handbook of Greek Drama in the Americas (with Kathryn Bosher, Fiona Macintosh, and Patrice Rankine; OUP, 2015), Ancient Greek Myth in World Fiction since 1989 (with Edith Hall; Bloomsbury, 2016), and Epic Performances from the Middle Ages into the Twenty-First Century (with Fiona Macintosh, Stephen Harrison, and Claire Kenward; OUP, 2018).
Les mer
Ranges widely across geographical, linguistic, and disciplinary boundaries, as well as across different genres of performance Brings together the dual perspective of two scholars known for their wide expertise in theatre history, classical reception, dance scholarship, and postcolonial studies, as well as oral poetics Supplements the systematic account of epic on the modern stage offered in the companion volume, Epic Performances from the Middle Ages into the Twenty-First Century (OUP, 2018)
Les mer

Relaterte produkter

Recommended. Graduate students, researchers, faculty.

D. Lateiner, CHOICE

Performing Epic or Telling Tales takes the new millennium as a starting point for an exploration of the turn to narrative in twenty-first-century theatre, which is often also a turn to Graeco-Roman epic. However, the dominant focus of the volume is less on 'what' the recent epic turn in the theatre consists of than 'why' it seems to be so prevalent: this turn is explained with reference not only to the translation and scholarly histories of the epics, but also to earlier performance traditions and, notably, to recent theoretical debates relating to text-based 'drama' and performance based 'theatre'. What is perhaps most remarkable about this epic turn is not simply the sheer number of outstanding performances that it has produced; it is also that recent practice appears to have outstripped much theoretical discussion about theatre. In chapters ranging from spoken word performances to ballet, from the use of machines and technology to performances that make space for voices occluded by the ancient epics, Performing Epic or Telling Tales seeks to contextualize and explain the 'narrative'/storytelling (re-)turn in recent live performances - a turn that regularly entails engagement with ancient Graeco-Roman epics, which have long provided poets, playwrights, artists, and theatre makers with a storehouse of rich, often perceived as 'raw', material. Refigured and refracted for the modern era, the epics of ancient Greece and Rome are found to be particularly revealing, and particularly 'telling' of the contemporary wider cultural sphere.
Les mer
From spoken word to ballet, ancient Greek and Roman epics regularly provide both the subjects and the form for emergent and seasoned theatre makers. This volume examines the 'why' of this epic turn, exploring not only the translation and scholarly histories of the epics, but also earlier performance traditions and recent theoretical debates.
Les mer
Frontmatter List of Illustrations 1: Performing Epic Now 2: Telling Tales on Stage 3: Telling Tales with Words 4: Telling Tales with the Body 5: Telling Tales with Machines 6: Telling Other Tales 7: Afterword Endmatter Bibliography Index
Les mer
Ranges widely across geographical, linguistic, and disciplinary boundaries, as well as across different genres of performance Brings together the dual perspective of two scholars known for their wide expertise in theatre history, classical reception, dance scholarship, and postcolonial studies, as well as oral poetics Supplements the systematic account of epic on the modern stage offered in the companion volume, Epic Performances from the Middle Ages into the Twenty-First Century (OUP, 2018)
Les mer
Fiona Macintosh is Professor of Classical Reception, Director of the Archive of Performances of Greek and Roman Drama (APGRD), and Fellow of St Hilda's College at the University of Oxford. She is the author of Dying Acts: Death in Ancient Greek and Modern Irish Tragic Drama (Cork University Press, 1994), Greek Tragedy and the British Theatre, 1660-1914 (with Edith Hall; OUP, 2005), and Sophocles: Oedipus Tyrannus (CUP, 2009), and has also edited numerous APGRD volumes, including most recently The Oxford Handbook of Greek Drama in the Americas (with Kathryn Bosher, Justine McConnell, and Patrice Rankine; OUP, 2015), Epic Performances from the Middle Ages into the Twenty-First Century (with Justine McConnell, Stephen Harrison, and Claire Kenward; OUP, 2018), and Seamus Heaney and the Classics: Bann Valley Muses (with Stephen Harrison and Helen Eastman; OUP, 2019). Justine McConnell is Lecturer in Comparative Literature at King's College London. She is the author of Black Odysseys: The Homeric Odyssey in the African Diaspora since 1939 (OUP, 2013), and co-editor of four volumes: Ancient Slavery and Abolition: From Hobbes to Hollywood (with Edith Hall and Richard Alston; OUP, 2011), The Oxford Handbook of Greek Drama in the Americas (with Kathryn Bosher, Fiona Macintosh, and Patrice Rankine; OUP, 2015), Ancient Greek Myth in World Fiction since 1989 (with Edith Hall; Bloomsbury, 2016), and Epic Performances from the Middle Ages into the Twenty-First Century (with Fiona Macintosh, Stephen Harrison, and Claire Kenward; OUP, 2018).
Les mer
Ranges widely across geographical, linguistic, and disciplinary boundaries, as well as across different genres of performance Brings together the dual perspective of two scholars known for their wide expertise in theatre history, classical reception, dance scholarship, and postcolonial studies, as well as oral poetics Supplements the systematic account of epic on the modern stage offered in the companion volume, Epic Performances from the Middle Ages into the Twenty-First Century (OUP, 2018)
Les mer

Produktdetaljer

ISBN
9780198846581
Publisert
2020
Utgiver
Oxford University Press; Oxford University Press
Vekt
368 gr
Høyde
222 mm
Bredde
145 mm
Dybde
16 mm
Aldersnivå
P, UP, 06, 05
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
176

Forfatter
Macintosh Fiona M.
McConnell Justine

Om bidragsyterne

Fiona Macintosh is Professor of Classical Reception, Director of the Archive of Performances of Greek and Roman Drama (APGRD), and Fellow of St Hilda's College at the University of Oxford. She is the author of Dying Acts: Death in Ancient Greek and Modern Irish Tragic Drama (Cork University Press, 1994), Greek Tragedy and the British Theatre, 1660-1914 (with Edith Hall; OUP, 2005), and Sophocles: Oedipus Tyrannus (CUP, 2009), and has also edited numerous APGRD volumes, including most recently The Oxford Handbook of Greek Drama in the Americas (with Kathryn Bosher, Justine McConnell, and Patrice Rankine; OUP, 2015), Epic Performances from the Middle Ages into the Twenty-First Century (with Justine McConnell, Stephen Harrison, and Claire Kenward; OUP, 2018), and Seamus Heaney and the Classics: Bann Valley Muses (with Stephen Harrison and Helen Eastman; OUP, 2019). Justine McConnell is Lecturer in Comparative Literature at King's College London. She is the author of Black Odysseys: The Homeric Odyssey in the African Diaspora since 1939 (OUP, 2013), and co-editor of four volumes: Ancient Slavery and Abolition: From Hobbes to Hollywood (with Edith Hall and Richard Alston; OUP, 2011), The Oxford Handbook of Greek Drama in the Americas (with Kathryn Bosher, Fiona Macintosh, and Patrice Rankine; OUP, 2015), Ancient Greek Myth in World Fiction since 1989 (with Edith Hall; Bloomsbury, 2016), and Epic Performances from the Middle Ages into the Twenty-First Century (with Fiona Macintosh, Stephen Harrison, and Claire Kenward; OUP, 2018).

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