1. Introduction: New Chinese-Language Documentaries Part 1: History and Politics 2. The History of Documentary Filmmaking in Mainland China 3. The Vision and Voice of New Taiwan Documentary Part 2: Theory and Ethics 4. Independent Documentary and Social Theories of Space and Locality 5. Subject to Movement: Wu Wenguang and the Ethics of Self Part 3: Subject and Gender 6. New Subjectivities in Women’s Documentary Films 7. The Other as Interlocutor: ‘Voices of the People’ in Taiwan’s Documentaries Part 4: Place and Migration 8. Empowering Place: Jia Zhangke’s Post-Nostalgic Assemblage of Shanghai 9. Migration Documentaries and the Vision of Cosmopolitanism Part 5: Exhibition and Circulation 10. YIDFF and Taiwan Documentary in the International Arena 11. The Circulation of Mainland Chinese Independent Documentary

‘This is a fascinating work in the nascent and fledgling field of Chinese-language documentary studies. The authors masterfully demonstrate the ways in which documentary filmmakers have engaged fundamental issues confronting China and Taiwan: history and politics, ethics and truth, reality and place, gender and subjectivity, migration and cosmopolitanism, exhibition and circulation.’ – Sheldon Lu, University of California at Davis, USA‘In this pioneering, illuminating book, Chiu and Zhang compare the trajectory in the development and international reception of new documentaries from Mainland China and Taiwan, which surged suddenly in the 1990s, remaining quite active through the present. The authors also insightfully explore issues of ethics, subjectivities, and migration in the Chinese-language documentaries from both areas. It is a must-read for anyone interested in Chinese/Taiwan Studies and/or Cinema/Documentary Studies.’ – Daw-Ming Lee, Professor & Chair, Department of Filmmaking, Taipei National University of the Arts, Taiwan‘New Chinese-Language Documentaries is an exciting collaboration between a leading Taiwanese and a leading mainland-born scholar that extends English-language scholarship on Chinese-language documentary by encompassing Taiwanese productions and also coming bang up to date. In this deft and thorough book, Chiu and Zhang identify themes and topics such as gender, ethics, migration and how the films are distributed and exhibited to tease out commonalities and connections without ever losing sight of local specificity and difference. The result is both lucid and profound.’ – Chris Berry, King’s College London, UKChiu and Zhang flesh out this framework with insightful details from contemporary Chinese-speaking directors and their films. - B. M. McNeal, emerita, Slippery Rock University of Pennsylvania