The famous Buddhist sculptures at the World Heritage site at Longmen are among China’s most important historical and artistic monuments. In this fascinating book, Dong Wang presents a path-breaking analysis of the ways Chinese and foreigners have understood the sculptures throughout the twentieth century, and how cultural heritage shaped views of modernity in China and elsewhere. In stressing universal spiritual values rather than nationalistic politics, the book makes an important and original contribution to our understanding of Sino-foreign cultural relations, at the same time casting new light on the modern history of Chinese art and religion and on China’s development of a consciousness of heritage.
- Tim Wright, Editor in Chief of the Oxford Bibliographies in Chinese Studies,
This series introduces new perspectives on Asia and the Pacific, historical and contemporary, offering local, regional and global perspectives on social, political, economic, and cultural change.
Series Editor: Mark Selden