The reader will come away from this book with a rich understanding of “Mersey pride” and a wish to visit this remarkable city.
Philip Harling, The Historian, Vol. 74, No. 3

Uncontrollable, anarchic, separate and alienated from mainstream England, the Liverpool of popular imagination is a hotbed of radicalism and creativity. But is that reputation really justified? Starting in 1911, a year which saw a warship on the Mersey suppressing near revolution in the Liverpool Transport Strike, the remarkable exhibition of paintings by Picasso, Matisse, Cézanne and the European avant-garde alongside works by local artists at the Bluecoat, and the opening of The Liver Building, the first major building in the UK to use reinforced concrete in its construction and crowned by two liver birds that came to symbolise the city’s resilience, this fascinating book looks at one hundred years of radicals and radicalism in Liverpool. Ranging widely across a century of politics, music, football, theatre, architecture and art, Liverpool: City of Radicals concludes with a look at the contemporary city and asks what role radicalism can play in the future of Liverpool.
Les mer
Looks at one hundred years of radicals and radicalism in Liverpool. Ranging widely across a century of politics, music, football, theatre, architecture and art, this book also looks at the contemporary city and asks what role radicalism can play in the future of Liverpool.
Les mer
List of PlatesAcknowledgmentsNotes on References and AbbreviationsIntroduction: The Spirit of Liberty1.'Le Cote de Nev' York', or Marcel in America2.The Impossible Possible Philosophers' Man3. 'A Bout de Souffle'4. Exquisite Corpses/ Buried Texts5. Proust's ButterflyBibliographyIndex
Les mer

Produktdetaljer

ISBN
9781846316470
Publisert
2011-07-14
Utgiver
Vendor
Liverpool University Press
Høyde
234 mm
Bredde
156 mm
Aldersnivå
00, G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet

Om bidragsyterne

John Belchem, Emeritus Professor of History at the University of Liverpool, is acknowledged as Liverpool’s leading historian, whose many publications include editing the Liverpool 800 book, published on the city’s 800th anniversary. He recently contributed to the Peterloo Massacre bicentenary programme. Bryan Biggs has worked at Bluecoat, Liverpool’s contemporary arts centre, for over four decades, curating numerous exhibitions, and live art programmes. In 2017 he directed Bluecoat’s tercentenary year. He writes on contemporary culture and is co-editor, with Julie Sheldon of Art in a City Revisited (Liverpool University Press, 2009) and, with John Belchem, of Liverpool City of Radicals (Liverpool University Press, 2011).