Irish Art 1920-2020: Perspectives on change by Catherine Marshall and Yvonne Scott, is a generously-illustrated book in which eleven authors examine different aspects of Irish art through the hundred years or so since independence. During this time, art in Ireland has borne witness to unprecedented social and political transformation, and this book of essays considers how some of the established perspectives in Irish visual culture were challenged and represented during this time. Art in Ireland has been shaped by a range of factors – the country’s geographic position, post-colonial history, political upheaval, religious environment – and of course the complex interconnections both within and beyond the country, prompted by shifting patterns within society – identities, migration, technology, for example – as well as the artists’ evolving engagement with the wider world. This is not a linear story; each chapter explores a particular aspect of art, how it reflected the interests of artists, the environments in which they worked both in Ireland and abroad, and how subjects and methods changed over time. The extensive richness of the last century or so, as well as the diversity, creativity and originality of the artists means that no single text can ever be comprehensive, and this one makes no such claims. Rather, his book, however, is a kind of map; it does not pretend to fully represent the entire narrative but may provide some useful clues to negotiating parts of it, or at least the basis for further exploration and debate.
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Insular and global, local and diasporic, mythic grandeur and a touch of blarney, the international reception of Irish culture has been dominated for the last century by the literary legacies of James Joyce and William Butler Yeats. This wonderful book sets out to balance the record with a capacious survey of the art and visual culture of Ireland, ranging across painting, sculpture, arts and crafts, vanguards, rearguards, and New Media. Ireland’s unique position as a postcolonial paradigm, emerging from centuries of imperial domination, holds lessons for revolutionary nation-building in places as diverse as Palestine and Ukraine. Its unique status as a bastion of European civilization, an outpost of resistance to English insularity, is here made visible in a compelling survey of the best that has been shown and seen in Irish visual culture across a momentous century.
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Produktdetaljer

ISBN
9781911479826
Publisert
2022-09-01
Utgiver
Vendor
Royal Irish Academy
Høyde
260 mm
Bredde
212 mm
Aldersnivå
G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
448

Om bidragsyterne

Catherine Marshall is a curator and art historian. She lectured in art history at Trinity College Dublin, the National College of Art and Design and University College Dublin. As founding head of collections at the Irish Museum of Modern Art she curated exhibitions of outsider art from the Musgrave Kinley Collection, exhibitions of Irish art in China, USA and the UK and throughout Ireland with the IMMA National Programme, and was curator to the Engagement project, which brought together artists from the Kilkenny Collective for Arts Talent, Callan, with artists from widely differing mainstream practices for a series of exhibitions 2013–21. She co-edited Art and architecture of Ireland, vol. 5, Twentieth century (2014) and Janet Mullarney (2019). She is an active member of Na Cailleacha (Na Cailleacha.weebly.com). In 2019 she was recipient of the first honorary doctorate in the History of Art from University College Dublin. Yvonne Scott is a fellow emeritus at Trinity College Dublin, the University of Dublin. She was the founding director of TRIARC (Trinity College Irish Art Research Centre), and an Associate Professor in the Department of the History of Art and Architecture there. Her research focuses particularly on modern and contemporary art, specialising in the representation of landscape, nature and environment, and she has published extensively in the field. She has hosted numerous symposia on themes such as eco-criticism, including ‘In this brief time: art, environment and ecology’, and convened the visual art section of the Art in the Anthropocene conference at Trinity College Dublin, June 2019. She has served on several boards in the university, as well as in public art institutions and galleries. She was Chair of the Advisory Board, and contributor to Art and architecture of Ireland, vol. 5, Twentieth century (2014), and to Modern Ireland in 100 artworks (2016).