Foreword by Salamishah Tillet Introduction by Rebecca Carroll Poem by Morgan Parker Davida (Adedjouma) Kilgore, reintroduced by Shanita Hubbard Excerpt from The Myth Makers Tina McElroy Ansa, reintroduced by Alora Young Excerpt from Ugly Ways Lorene Cary, reintroduced by Nadia Owusu Excerpt from Black Ice Pearl Cleage, reintroduced by Donika Kelly Excerpt from Deals with the Devil: And Other Reasons to Riot J. California Cooper, reintroduced by Bassey Ikpi Excerpt from The Matter is Life Rita Dove, reintroduced by Safiya Sinclair Excerpt from Through the Ivory Gate Gloria Wade-Gayles, reintroduced by Keah Brown Excerpt from Annointed to Fly Nikki Giovanni, reintroduced by Chanda Prescod-Weinstein Excerpt from The Women and the Men Marita Golden, reintroduced by Cleyvis Natera Excerpt from A Woman’s Place June Jordan, reintroduced by J Wortham Excerpt from Technical Difficulties: African American Notes on the State of the Union Gloria Naylor, reintroduced by Diamond Sharp Excerpt from Mama Day Barbara Neely, reintroduced by Maisy Card Excerpt from Blanche on the Lam Gwendolyn M. Parker, reintroduced by Denne Michelle Norris Excerpt from These Same Long Bones Charlotte Watson Sherman, reintroduced by Marissa Renee Lee Excerpt from One Dark Body Barbara Summers, reintroduced by Tembe Denton-Hurst Excerpt from Nouvelle Soul

"While I have the Great Book in my home—I am a Black woman of a certain age—I reach for Toni, Gloria, Cooper, and Tina far more often than I do Matthew, Mark, Luke, and John. In I Know What The Red Clay Looks Like, Rebecca Carroll treats these Black women writers as a canonical text of elegiastic importance. In their own words and through their words, these pages offer comfort, guidance, and tradition." —Tressie McMillan Cottom, bestselling author of THICK and other essays "Thirty years ago, Rebecca Carroll curated an astonishing collection of voices, and it is a gift to now be immersed in a lively dialogue between those remarkable trailblazers and a new generation of Black women who have been shaped by their words, wisdom and radical vision." —Lynn Nottage, Pulitzer Prize-winning playwright  "What a tremendous gift to have this book reborn: the writers on the writers on the stories of the stories, the stunning loop of history and future, of poetry and prose that shape our notions of humanity and identity, of love and place. I Know What the Red Clay Looks Like is an education and a pleasure, an explosive moment of literary recognition and power, a reminder of the past and a promise made of words, pointing a way forward. —Rebecca Traister, journalist and author of Good and Mad: The Revolutionary Power of Women's Anger "Rebecca Carroll has assembled a scintillating group of writers who are as adept at mining tradition as they are insisting on new patterns and practices of radical thought. Red Clay hovers over the ground made by Alice Walker, bell hooks, Toni Morrison and Margaret Walker, and when necessary, the authors challenge motions and literary inertia we'd never seen challenged before. Red Clay is the work of black women writers who heeded their lesson. And we are so lucky to experience the heeding." —Kiese Laymon, bestselling author of Heavy: An American Memoir “Red Clay, as a collection, shines throughout as intergenerational voices dance in conversation with the Black feminist tongue that has saved so many of our lives. The legacy within these pages is a soul kiss, filled with lyrical testaments from Pearl Cleage, Tina McElroy Ansa, and Nikki Giovanni. These literary pillars are matched with didactic, lush, and deep critiques by today’s contemporary literary luminaries, centering the Black femme experience and offering a jeweled discovery in the sovereign search for liberation." —Mahogany L. Browne, author of Chrome Valley and I Remember Death By Its Proximity to What I love