Altman successfully disrupts and expands the typical narrative about Hinduism in America by carefully documenting encounters with South Asian religious practices, objects, and texts. He also precisely details how notions of America as a white Protestant democracy and chosen nation were formed against representations of India as dark, uncivilized, and despotic. Altman's book is well-researched, well-organized, and well-written. His argument showing how Americans constructed their identity and religion through differences and similarities with an imagined Other is compelling and insightful. He makes a valuable contribution to academic discourse and public conversation about Hinduism in the American religious landscape.

Patrick Horn, American Vedantist

This book is a valuable contribution to the larger 'What is 'Hinduism'?' question that persists in religious studies. But rather than focusing on the role of European colonialism in the formation of a stable 'ism,' Altman focuses on the US: the literature, and the propagation/replication of particular Orientalist tropes that in turn reified American Protestantism and nationalist identities. The genealogy is thorough and detailed. While such discussions typically focus on the European Orientalists such as Mill, Mueller, or Macauley, tracing the discourse through American writers is both refreshing and insightful.

Juli L. Gittinger, Reading Religion

This book promises to become an important resource for studies of American Hinduism, American history, and religious studies. Packed with fascinating sources and incisive analysis.... Heathen, Hindoo, Hindu is an excellent history, which will help readers see the nineteenth century precedent for our contemporary politics of Hindu representation.

Bulletin Book Reviews

Se alle

Heathen, Hindoo, Hindu also contributes to a growing body of literature in American religion that has criticized the narrative of American religious history as one of ever-increasing pluralism, with particular attention to how the category of religion functions to manage difference ... Beyond its contributions to the fields of American religion and Religious Studies, I can imagine this book, or any of its individual chapters, working well in undergraduate and graduate courses on American religion, religion and Orientalism, or critical approaches to religious studies, to name only a few.

Society for U.S. Intellectual History

Heathen, Hindoo, Hindu is a groundbreaking analysis of American representations of religion in India before the turn of the twentieth century. In their representations of India, American writers from a variety of backgrounds described "heathens," "Hindoos," and, eventually "Hindus." Before Americans wrote about "Hinduism," they wrote about "heathenism," "the religion of the Hindoos," and "Brahmanism." Various groups interpreted the religions of India for their own purposes. Cotton Mather, Hannah Adams, and Joseph Priestley engaged the larger European Enlightenment project of classifying and comparing religion in India. Evangelical missionaries used images of "Hindoo heathenism" to raise support at home. Unitarian Protestants found a kindred spirit in the writings of Bengali reformer Rammohun Roy. Transcendentalists and Theosophists imagined the contemplative and esoteric religion of India as an alternative to materialist American Protestantism, while popular magazines and common school books used the image of dark, heathen, despotic India to buttress Protestant, white, democratic American identity. Americans used the heathen, Hindoo, and Hindu as an other against which they represented themselves. The questions of American identity, classification, representation and the definition of "religion" that animated descriptions of heathens, Hindoos, and Hindus in the past still animate American debates today.
Les mer
Acknowledgements Preface Prologue Chapter 1: Heathens and Hindoos in Early America Chapter 2: Missionaries, Unitarians, and Raja Rammohun Roy Chapter 3: Hindoo Religion in American National Culture Chapter 4: Transcendentalism, Brahmanism, and Universal Religion Chapter 5: The Theosophical Quest for Occult Power Chapter 6: Putting the "Religion" in the World's Parliament of Religion Epilogue:
Les mer
"A compelling example of how critical scholarship in religious studies can be applied in studies of American cultural and religious history... I can imagine this book, or any of its individual chapters, working well in undergraduate and graduate courses on American religion, religion and Orientalism, or critical approaches to religious studies, to name only a few." --Society for US Intellectual History "Altman successfully disrupts and expands the typical narrative about Hinduism in America by carefully documenting encounters with South Asian religious practices, objects, and texts. He also precisely details how notions of America as a white Protestant democracy and chosen nation were formed against representations of India as dark, uncivilized, and despotic. Altman's book is well-researched, well-organized, and well-written. His argument showing how Americans constructed their identity and religion through differences and similarities with an imagined Other is compelling and insightful. He makes a valuable contribution to academic discourse and public conversation about Hinduism in the American religious landscape."--Patrick Horn, American Vedantist "This book is a valuable contribution to the larger 'What is 'Hinduism'?' question that persists in religious studies. But rather than focusing on the role of European colonialism in the formation of a stable '-ism,' Altman focuses on the US: the literature, and the propagation/replication of particular Orientalist tropes that in turn reified American Protestantism and nationalist identities. The genealogy is thorough and detailed. While such discussions typically focus on the European Orientalists such as Mill, Mueller, or Macauley, tracing the discourse through American writers is both refreshing and insightful."-Juli L. Gittinger, Reading Religion "In this illuminating history, Michael Altman gathers the fragmentary representations that Americans used to construct their initial understandings of India and Hindu religious traditions. Long before the World's Parliament of Religions in 1893, Americans were encountering South Asian religious practices, objects, and texts in missionary reports, encyclopedic compendia, museum collections, travel accounts, and school textbooks. Immersed in that multiplicity, Altman deftly shows how and why 'Hinduism' became conceivable."--Leigh Eric Schmidt, Edward C. Mallinckrodt Distinguished University Professor, Washington University in St. Louis "Michael Altman's Heathen, Hindoo, Hindu revolutionizes how we think about the history of Hinduism in American culture. Avoiding the usual anachronisms, essentialisms, and orientalisms, Altman analyzes an ever-shifting discourse fashioned from fragments and bearing many labels. He carefully documents the genealogies of those terms and shows to what ends they were put, from how they shaped American conceptions of religion itself to how Americans imagined their own religious identities."--Andrea R. Jain, author of Selling Yoga: From Counterculture to Pop Culture "This book fills a gaping hole in the historicization of 18th and 19th century 'Hinduism' in United States by revealing in meticulous detail how white Protestant racism, imperialism, and imaginings of exotic India helped construct its antecedent categories of 'heathen' and 'Hindoo.' Altman's adroit theoretical analysis shifts the discourse to consider how representations of exotic others inform debates within American Protestantism and the formation of American Protestant nationalism - not to mention the category of religion." --Amanda Lucia, author of Reflections of Amma: Devotees in a Global Embrace "Heathen, Hindoo, Hindu also contributes to a growing body of literature in American religion that has criticized the narrative of American religious history as one of ever-increasing pluralism, with particular attention to how the category of religion functions to manage difference ... Beyond its contributions to the fields of American religion and Religious Studies, I can imagine this book, or any of its individual chapters, working well in undergraduate and graduate courses on American religion, religion and Orientalism, or critical approaches to religious studies, to name only a few." -- Society for U.S. Intellectual History
Les mer
Selling point: Provides an in-depth study of American representations of religion in India Selling point: Examines changing perceptions of Indian religion in a previously unstudied time period Selling point: Argues that Hinduism is a late 19th century invention in American culture
Les mer
Michael J. Altman is an Assistant Professor in the Department of Religious Studies at the University of Alabama. He holds a Ph.D. in American Religious Cultures from Emory University.
Selling point: Provides an in-depth study of American representations of religion in India Selling point: Examines changing perceptions of Indian religion in a previously unstudied time period Selling point: Argues that Hinduism is a late 19th century invention in American culture
Les mer

Produktdetaljer

ISBN
9780190654924
Publisert
2017
Utgiver
Vendor
Oxford University Press Inc
Vekt
408 gr
Høyde
236 mm
Bredde
155 mm
Dybde
23 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
198

Forfatter

Om bidragsyterne

Michael J. Altman is an Assistant Professor in the Department of Religious Studies at the University of Alabama. His research interests include American religious history, Asian religions in America, colonialism, and critical theory.