How is photography connected to global practices? This is a first edited collection to trace the relationship between history, photography and memory in a global perspective on three interrelated levels: firstly, in the artistic and cultural production of pictures, secondly, in the decoding of colonial and contemporary photography, and thirdly, in collecting photographs in picture archives dealing with colonial, anthropological and family photography. The contributions sketch the contested field of global photography and trace the manifold intertwinements between historical and contemporary photographs.
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»Ein schmaler Band mit weit gespannten Ambitionen.« Claudia Moisel, www.sehepunkte.de, 19/9 (2019) »Der Sammelband [...] bietet einen ausgezeichneten Überblick über aktuelle Forschungen zu historischen Fotografien insbesondere aus und über Afrika.« Evelyn Runge, MEDIENwissenschaft, 2 (2019) Besprochen in: Mitteilungen der Berliner Gesellschaft für Missionsgeschichte e.V., 69 (2020), Ulrich van der Heyden
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Open access - no commercial use; This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License (CC BY-NC-ND 4.0)

Produktdetaljer

ISBN
9783837630060
Publisert
2018-02-27
Utgiver
Vendor
Transcript Verlag
Vekt
992 gr
Høyde
23 mm
Bredde
15 mm
Dybde
2 mm
Aldersnivå
U, P, 05, 06
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
210

Om bidragsyterne

Sissy Helff teaches at the Goethe-University Frankfurt/M. in the department of New English Literatures. Her most recent publications include her monograph "Unreliable Truths: Transcultural Homeworlds in Indian Women's Fiction of the Diaspora" (2012). She has been working as a journalist for development matters and cultural diplomacy and is one of the founding members of the cultural project "Migration & Media". Stefanie Michels is currently visiting professor for global history (focus on Africa) at the University of Hamburg. Her research focuses on German colonial history and the global history of photography.