Fury Archives Female Citizenship, Human Rights, and the International Avant-Gardes
Produktdetaljer
Om bidragsyterne
Juno Jill Richards is assistant professor of English and affiliated faculty in the Women’s, Gender, and Sexuality Studies Program at Yale University. They are a coauthor of The Ferrante Letters: An Experiment in Collective Criticism (Columbia, 2020).<i>The Fury Archives</i> is a <i>tour-de-force</i> study of modernist women’s struggles for citizenship and human rights across transnational geographies. Richards reminds us of the variegated sites and everydayness of politics—from the sphere of reproductive labor to the quotidian committee meeting—and offers a compelling genealogy of the intersections between women’s rights and human rights. It is one of the most nuanced accounts of politics as praxis I have ever read.
- Janice Ho, author of <i>Nation and Citizenship in the Twentieth-Century British Novel</i>,
Jill Richards’s exploration of “the daily life of feminist action” brilliantly trains our attention on aspects of revolutionary work—routines and tactics, protocols and cycles—too often obscured in later histories. Traversing disciplines, genres, and oceans in unprecedented ways, it requires us to reconsider many of our most cherished assumptions about the relation between avant-garde art and political aspiration.
- Douglas Mao, author of <i>Fateful Beauty: Aesthetic Environments, Juvenile Development, and Literature 1860-1960</i>,
Jill Richards’s book is masterful in its range of inquiries, beautifully written, and elegantly argued. The research supporting the book’s radical and provocative arguments is also exceptionally thorough and meticulously engaged; it synthesizes and builds upon a number of comprehensive historical and theoretical debates.
- Elizabeth S. Anker, Cornell University,
The range of objects in <i>The Fury Archives</i> is truly impressive, and Richards tackles every object and text that she has excavated for analysis with great skill . . . Richards presents life stories that are not recorded in mainstream history and the unearthing of which creates a more inclusive, accurate, and complete picture of history.
ASAP/Journal
The sense of this being a history of the present is hard to ignore . . . That strategies such as the occupation of public spaces as an act of protest, strikes to try to accelerate governmental action or the naming of names as an act of acknowledgement and remembrance remain familiar and continue to be employed make many of the decades-old archives seem eerily contemporary.
ArtReview Asia
Traversing the boundary between the intimate and the public, Richards shows us how to look anew at female citizenship . . . [<i>The Fury Archives</i>] offers important methodological insights to human rights scholars concerned with the field's over-reliance on narrative history.
Human Rights Quarterly
In addition to rewriting the history of the avant-garde . . . to reveal more complicated entanglements with female citizenship, <i>The Fury Archives</i> offers an energizing model for how we might study feminist activism, sustain ourselves through the long slog of collective action, and intervene in our own here and now.
Signs: Journal of Women in Culture and Society
Rather than focus on the demand for the vote, The Fury Archives turns to the daily practices and social worlds of feminist action. It offers an alternative history of women’s rights, practiced by female arsonists, suffragette rioters, industrial saboteurs, self-named terrorists, lesbian criminals, and queer resistance cells. Richards also examines the criminal proceedings that emerged in the wake of women’s actions, tracing the way that citizen and human emerged as linked categories for women on the fringes of an international campaign for suffrage.
Recovering a transatlantic print archive, Richards brings together a wide range of activists and artists, including Lumina Sophie, Ina Césaire, Rosa Luxemburg, Rebecca West, Angelina Weld Grimké, Elizabeth Gurley Flynn, Hannah Höch, Claude Cahun, Paulette Nardal, and Leonora Carrington. An expansive and methodologically innovative book, The Fury Archives argues that the relationship of women’s rights movements and the avant-gardes offers a radical alternative to liberal discourses of human rights in formation at the same historical moment.
Introduction
Part I. Sex and Citizenship in the Atlantic Archives
1. The Fury Archives: Afterlives of the Female Incendiary
2. The Long Middle: Militant Suffrage from Britain to South Africa
Part II. The Reproductive Atlantic
3. The Art of Not Having Children: Birth Strike, Sabotage, and the Reproductive Atlantic
4. Rhineland Bastards, Queer Species: An Afro-German Case Study
Part III. Convergences in Institutional Human Rights
5. Surrealism’s Inhumanities: Chance Encounter, Lesbian Crime, Queer Resistance
6. The Committee Form: Négritude Women and the United Nations
Epilogue. Social Reproduction and the Midcentury Witch: Leonora Carrington in Mexico
Notes
Bibliography
Index