A stunning record of inheritance, memory and belonging . . . In Lee's writing, you feel the radical potential of the essay form; at once expansive and intimate, and most of all, gorgeously written. This is a book I will return to often over the course of my life
- Nina Mingya Powles, author of Small Bodies of Water,
Profound, poetic, illuminating and moving, <i>Dispersals' </i>deep knowledge, sensitivity and research (worn so lightly) addresses just how entwined our fortunes, migration and language are with plants; how much we are part of nature. Important and vivid
- Nicola Chester, author of On Gallows Down,
<i>C</i>ontemplative, elegant, neatly structured . . . In a series of concise, interlocking essays, she entwines her personal story with the political history of different plants
New Statesman
The author laces her histories with a subtle and personal optimism. Just as those plants replanted far from home, we can adapt to transition, dispersal, and recollection. An insightful meditation on nature and identity within 'a world in motion
Kirkus Review
Lee does a masterful job of blending personal reflection with natural and political history, and her prose is crystalline . . . This deserves a wide audience
Publishers Weekly
A beautiful book about belonging—plant and human. A work that will make you look at the orange in your hand, the moss underfoot, the tea that you sip a little more closely. Lee turns her careful gaze to the easy stories we tell ourselves about foreign and native, and leaves us with a vision of the world simultaneously more nuanced and more precious
- Rowan Hisayo Buchanan, author of 'Starling Days',
Lee evokes a centuries-long history of border crossings — by people and by plants — to throw into question what it means to really belong, love, and protect, and what our collective future might hold on a planet forever evolving in the wake of trans-continental migration
Literary Hub
<i>Dispersals</i> is a beautifully written and complex book . . . [Lee] shows us with stunning prose, tenderness and precision the unexpected ways that we all connect and are connected by the plants around us
- Amanda Thomson, author of ''Belonging: Natural Histories of Place, Identity and Home',
One of the most interesting and celebrated contemporary writers of nature, identity and place . . . her work deftly interweaves personal memoir and family history with botany, cultural criticism and first-hand observations of the natural world
The Berliner
Lee’s lyrical prose sprouts from a fertile ground of intensive research and intimate memories — memories that are by turns sharply vivid and pleasantly hazy with the distance of time . . . She moves seamlessly from seaweed to soybeans to citrus . . . Jessica J. Lee will make you stop and smell the weeds
The Cut
Richly textured . . . These essays critically probe the native/nonnative paradigm of invasive-species ecology. Lee’s voice will stay with readers long after they finish this book
Library Journal (starred review)
[A] lyrical essay collection . . . Lee writes intimately about her own oscillating cravings for movement and rootedness . . . <i>Dispersals </i>shows us that we cannot view the trajectory of a plant without bumping into trajectories of human power
Scientific American
A brilliant, thoughtful, and thought-provoking collection of essays, which expertly blend personal reflection and natural history . . . you will not look at the plants around you in the same way again
- Polly Atkin, author of 'Some of Us Just Fall',
Exquisite, haunting . . . Lee continues her insistent, clear-eyed quest for nourishment and vitality, even when both are complicated, and encourages readers to do the same
Shelf Awareness
<i>Dispersals</i> draws a gorgeous, sprawling map of the diaspora of flora . . . The themes in these fourteen essays become invigorating and intimate in Lee's hand
CBC Books