Ranging far geographically, temporally, and methodologically, this illuminating book demonstrates the varied roles compunction played not only in the languages, gestures, and feelings of medieval devotion but also in the conceptions and practices of its daily life.

Barbara H. Rosenwein, Professor Emerita, Loyola University Chicago, USA

This fascinating re-examination of the strategies by which compunction is understood and expressed in the medieval arts provides comprehensive exploration of its subject that will appeal to anyone with an interest in emotions scholarship, whatever their discipline.

Frances McCormack, School of English and Creative Arts, National University of Ireland, Galway, Ireland

Compunction was one of the most important emotions for medieval Christianity; in fact, through its confessional function, compunction became the primary means for an affective sinner to gain redemption. Cultures of Compunction in the Medieval World explores how such emotion could be expressed, experienced and performed in medieval European society. Using a range of disciplinary approaches – including history, philosophy, art history, literary studies, performance studies and linguistics – this book examines how and why emotions which now form the bedrock of modern western culture were idealized in the Middle Ages. By bringing together expertise across disciplines and medieval languages, this important book demonstrates the ubiquity and impact of compunction for medieval life and makes wider connections between devotional, secular and quotidian areas of experience.
Les mer
List of FiguresList of TablesList of ContributorsAcknowledgementsList of AbbreviationsIntroduction, Graham Williams (University of Sheffield, UK) and Charlotte Steenbrugge (University of Sheffield, UK)1. Crying out with the Compunction of the Prodigal Son: Byzantine Hymns, Liturgical Emotions and Icons of Repentance, Andrew Mellas (St Andrew's Theological College, Australia)2. Repenting in their Own Words: Old English Vocabulary for Compunction, Contrition, and Penitence, Daria Izdebska (Liverpool Hope University, UK)3. A Concept with Relevance? Compunction in Old Norse-Icelandic Literature, Roland Scheel (University of Gottingen, Germany)4. William of Auvergne and Compunction: Describing the World through Metaphors, Béatrice Delaurenti5. Sea-Water in Flame: Compunction in the Lambeth and Trinity Homilies, Ayoush Lazikani (University of Oxford, UK)6. The Expressions of Remorse in Old and Middle French Literature, Corinne Denoyelle (University of Grenoble-Alpes, France) and translated by Emily Reed7. Peter’s Three Tears, Véronique Plesch (Colby College, USA)BibliographyIndex
Les mer
Ranging far geographically, temporally, and methodologically, this illuminating book demonstrates the varied roles compunction played not only in the languages, gestures, and feelings of medieval devotion but also in the conceptions and practices of its daily life.
Les mer
Explores how emotion could be expressed, experienced and performed in the middle ages using a range of disciplinary approaches.
This wide-ranging monograph series responds to emerging themes and interdisciplinary research methods in medieval scholarship, including the reception and reworking of the medieval in the post-medieval period. Particular concerns involve cataloguing the rich variety of experience of medieval people and exploring cultural transfer across different periods, places and groups. These are expressed in the many scholarly themes highlighted below and, taken together, seek to contribute to the future directions and debates of medieval studies.Key Themes:* Medieval lives including marginal voices, variation and dissimilitude* Cultural exchange and interconnectedness across medieval Europe* The reception and re-use of the Middle Ages in later periods* Re-evaluating medieval history from a global perspectiveWe particularly welcome proposals from scholars working in the following areas:- religious and ethnic minorities- gender and queer history- emotional communities- postcolonial perspectives- travel, trade and migration- work that extends reception of the Middle Ages beyond the predominantly British perspectives of published work to date- digital and new media receptions- work responding to the idea of an ‘ethical turn’
Les mer

Produktdetaljer

ISBN
9781350217720
Publisert
2022-04-21
Utgiver
Vendor
Bloomsbury Academic
Høyde
234 mm
Bredde
156 mm
Aldersnivå
U, 05
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
274

Om bidragsyterne

Graham Williams is Senior Lecturer in the History of English at the University of Sheffield, UK.

Charlotte Steenbrugge is Vice-Chancellor Fellow at the School of English, University of Sheffield, UK.