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Margaret Cohen is Andrew B. Hammond Professor in French Language, Literature, and Civilization at Stanford University, USA, where she teaches in the Department of English, and by courtesy, in the Departments of French and Italian and of Comparative Literature.Across the 19th century, maritime globalization expanded at a hitherto unimaginable pace, transforming transport and communications over the seas into oceanic networks at a planetary scale. These networks shaped culture in its most expansive sense, affecting seafaring, warfare, empire, commerce, communications, passenger travel, leisure and science. Authors recover the sea experience of people and groups entangled with and yet neglected in an earlier generation of maritime history focused on conquest, empire, and knowledge. Thus, across a century when Britannia nominally ruled the waves, military control emerges as both opportunistic, harboring slavers, as well as partial, giving agency to mutineers and enslaved crew members, including on the Royal Navy’s own fleet; the wreck of Arctic exploring voyages such as the Erebus and the Terror takes readers to PanInuit exploration over sea ice around the Arctic circle; colonial and mercantile transport in the Indian Ocean reveals the role of lascars, the seafarers of color who for centuries had practiced these waters; on the coasts of industrial nations, the professional establishment of marine sciences depends on the pathbreaking contributions of female amateur naturalists.
As part of its revisionary aim, this volume gives voice to the physical environment. Thus, we discover contrasting perspectives about this environment under threat today of European mariners for whom it was deadly and treacherous, and for maritime Aborigines who lived in its shelter. Considering literature and art as well as history, authors further trace how the paradoxes of sea practice shape some of the most memorable ocean fantasies of the Western tradition, fostering both a celebration of work and technology, and a preservation of secular magic in a disenchanted world.
List of Illustrations
General Editor’s Preface, Margaret Cohen
Introduction, Margaret Cohen
1. Knowledges, Natascha Adamowsky
2. Practices, Richard King
3. Networks, Siobhan Carroll
4. Conflicts, William Boelhower
5. Islands and Shores, Iain McCalman
6. Travellers, Adriana Craciun
7. Representations, Charne Lavery
8. Imaginary Worlds, Cannon Schmitt
Notes
Bibliography
Contributors
Index
The Cultural Histories are multi-volume sets that survey the social and cultural construction of specific subjects across six historical periods, broadly:
- Antiquity
- The Medieval Age
- The Early Modern Age
- The Age of Enlightenment
- The Age of Empire
- The Modern Age
The subjects covered range from Animals to Dress and Fashion, from Sport to Furniture, from Money to Fairy Tales. Each volume discusses the same themes in its chapters so that readers may gain an understanding of a period by reading an entire volume, or follow a theme through history by reading the relevant chapter in each volume. Each six-volume set is illustrated.
Titles are available as printed sets for libraries needing just one subject or preferring a one-off purchase and tangible reference for their shelves, or as part of a fully searchable digital library available to institutions by annual subscription or perpetual access (see www.bloomsburyculturalhistory.com).
PRAISE FOR THE SERIES
A Cultural History of Dress and Fashion
“Intriguing, surprising, and thought-provoking essays covering many cultural layers of dress history.”
CHOICE
A Cultural History of Fairy Tales
“A comprehensive treatise that belongs in every academic library concerned with a form of literature that has had broad appeal for centuries and continues to do so.”
CHOICE
A Cultural History of Hair
“A thick, tangled and deliciously idiosyncratic history of hair.”
Times Literary Supplement
A Cultural History of Law
“These introductions should be of great use to scholars from across the periods.”
Law & Literature
A Cultural History of Peace
“The set is a good introduction to the study of peace and encourages looking at world history in a new way.”
CHOICE
A Cultural History of Theatre
“All six volumes are aesthetically attractive, with well-chosen cover illustrations in color and numerous halftones throughout. Page layouts with wide margins, good paper, subtitles, generous bibliographies, notes, and index all add to the appeal.”
CHOICE
A Cultural History of Tragedy
“A highly contemporary work, alert to politics, social theory and sexuality.”
London Review of Books
A Cultural History of Western Empires
“Students seeking a comparative, interdisciplinary, and compelling account of the spread of Western empires will find much of interest here.”
CHOICE
A Cultural History of Work
“[Programs] such as economics, American and world history, women’s studies, and art history will benefit from the information herein.”
American Reference Books Annual