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Creative Lives in Classical Antiquity Poets, Artists and Biography

Fletcher, Richard Hanink Johanna
Heftet / 2021 / Engelsk

Produktdetaljer

ISBN
9781316612040
Publisert
2021-08-19
Utgiver
Vendor
Cambridge University Press
Vekt
488 gr
Høyde
215 mm
Bredde
140 mm
Dybde
20 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
383

Redaktør
Fletcher, Richard
Hanink Johanna

Om bidragsyterne

Richard Fletcher is Associate Professor of Classics at Ohio State University. He specializes in ancient Greek and Roman philosophy and the dynamic between Classics and contemporary art. He is the author of Apuleius' Platonism: The Impersonation of Philosophy (Cambridge, 2014) and is co-editor, with Wilson Shearin, of The Oxford Handbook of Roman Philosophy (forthcoming). Johanna Hanink is Assistant Professor of Classics and Robert Gale Noyes Assistant Professor of Humanities at Brown University. She has published widely on ancient traditions about the Athenian tragedians, which also feature in her 2014 monograph Lycurgan Athens and the Making of Classical Tragedy (Cambridge, 2014).

Creative Lives in Classical Antiquity Poets, Artists and Biography

Fletcher, Richard Hanink Johanna
Heftet / 2021 / Engelsk
Fletcher, Richard Hanink Johanna
Heftet / 2021 / Engelsk
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'Overall it is a study in receptions, and frequently the reception of receptions as audiences of one period or culture layer impressions upon those of their predecessors.' Eleanor Winsor Leach, Bryn Mawr Classical Review

What happened when creative biographers took on especially creative subjects (poets, artists and others) in Greek and Roman antiquity? Creative Lives in Classical Antiquity examines how the biographical traditions of ancient poets and artists parallel the creative processes of biographers themselves, both within antiquity and beyond. Each chapter explores a range of biographical material that highlights the complexity of how readers and viewers imagine the lives of ancient creator-figures. Work in the last decades has emphasized the likely fictionality of nearly all of the ancient evidence about the lives of poets, as well as of other artists and intellectuals; this book now sets out to show what we might nevertheless still do with the rich surviving testimony for 'creative lives' - and the evidence that those traditions still shape how we narrate modern lives too.
Les mer
List of illustrations; Part I. Opening Remarks: 1. Orientation: what we mean by 'creative lives' Johanna Hanink and Richard Fletcher; 2. 'Lives' as parameter: the privileging of ancient lives as a category of research c.1900 Constanze Güthenke; Part II. Dead Poets Societies: 3. Close encounters with the ancient poets Barbara Graziosi; 4. Recognizing Virgil Andrew Laird; Part III. Lives in Unexpected Places: 5. A poetic possession: Pindar's Lives of the poets Anna Uhlig; 6. What's in a Life? Some forgotten faces of Euripides Johanna Hanink; 7. Lives from stone: epigraphy and biography in Classical and Hellenistic Greece Polly Low; Part IV. Laughing Matters and Lives of the Mind: 8. On bees, poets and Plato: ancient biographers' representations of the creative process Mary Lefkowitz; 9. The life and philosophy of Aristippus in the Socratic epistles Kurt Lampe; 10. Imagination dead imagine: Diogenes Laertius' work of mourning Richard Fletcher; Part V. Portraits of the Artist: 11. 'It is Orpheus when there is singing': the mythical fabric of musical lives Pauline A. LeVen; 12. The artists as anecdote: creating creators in ancient texts and modern art history Verity Platt; 13. Freud and the biography of antiquity Miriam Leonard; Envoi John Henderson; Works cited.
Les mer
'Overall it is a study in receptions, and frequently the reception of receptions as audiences of one period or culture layer impressions upon those of their predecessors.' Eleanor Winsor Leach, Bryn Mawr Classical Review
Les mer
Examines how the biographical traditions of ancient poets and artists parallel the creative processes of biographers themselves, both within antiquity and beyond.

Relaterte produkter

'Overall it is a study in receptions, and frequently the reception of receptions as audiences of one period or culture layer impressions upon those of their predecessors.' Eleanor Winsor Leach, Bryn Mawr Classical Review

What happened when creative biographers took on especially creative subjects (poets, artists and others) in Greek and Roman antiquity? Creative Lives in Classical Antiquity examines how the biographical traditions of ancient poets and artists parallel the creative processes of biographers themselves, both within antiquity and beyond. Each chapter explores a range of biographical material that highlights the complexity of how readers and viewers imagine the lives of ancient creator-figures. Work in the last decades has emphasized the likely fictionality of nearly all of the ancient evidence about the lives of poets, as well as of other artists and intellectuals; this book now sets out to show what we might nevertheless still do with the rich surviving testimony for 'creative lives' - and the evidence that those traditions still shape how we narrate modern lives too.
Les mer
List of illustrations; Part I. Opening Remarks: 1. Orientation: what we mean by 'creative lives' Johanna Hanink and Richard Fletcher; 2. 'Lives' as parameter: the privileging of ancient lives as a category of research c.1900 Constanze Güthenke; Part II. Dead Poets Societies: 3. Close encounters with the ancient poets Barbara Graziosi; 4. Recognizing Virgil Andrew Laird; Part III. Lives in Unexpected Places: 5. A poetic possession: Pindar's Lives of the poets Anna Uhlig; 6. What's in a Life? Some forgotten faces of Euripides Johanna Hanink; 7. Lives from stone: epigraphy and biography in Classical and Hellenistic Greece Polly Low; Part IV. Laughing Matters and Lives of the Mind: 8. On bees, poets and Plato: ancient biographers' representations of the creative process Mary Lefkowitz; 9. The life and philosophy of Aristippus in the Socratic epistles Kurt Lampe; 10. Imagination dead imagine: Diogenes Laertius' work of mourning Richard Fletcher; Part V. Portraits of the Artist: 11. 'It is Orpheus when there is singing': the mythical fabric of musical lives Pauline A. LeVen; 12. The artists as anecdote: creating creators in ancient texts and modern art history Verity Platt; 13. Freud and the biography of antiquity Miriam Leonard; Envoi John Henderson; Works cited.
Les mer
'Overall it is a study in receptions, and frequently the reception of receptions as audiences of one period or culture layer impressions upon those of their predecessors.' Eleanor Winsor Leach, Bryn Mawr Classical Review
Les mer
Examines how the biographical traditions of ancient poets and artists parallel the creative processes of biographers themselves, both within antiquity and beyond.

Produktdetaljer

ISBN
9781316612040
Publisert
2021-08-19
Utgiver
Vendor
Cambridge University Press
Vekt
488 gr
Høyde
215 mm
Bredde
140 mm
Dybde
20 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
383

Redaktør
Fletcher, Richard
Hanink Johanna

Om bidragsyterne

Richard Fletcher is Associate Professor of Classics at Ohio State University. He specializes in ancient Greek and Roman philosophy and the dynamic between Classics and contemporary art. He is the author of Apuleius' Platonism: The Impersonation of Philosophy (Cambridge, 2014) and is co-editor, with Wilson Shearin, of The Oxford Handbook of Roman Philosophy (forthcoming). Johanna Hanink is Assistant Professor of Classics and Robert Gale Noyes Assistant Professor of Humanities at Brown University. She has published widely on ancient traditions about the Athenian tragedians, which also feature in her 2014 monograph Lycurgan Athens and the Making of Classical Tragedy (Cambridge, 2014).

Relaterte produkter