<p>“With this slim yet rich and thoughtful volume, the field of Byzantine studies has finally joined the project of excavating the colonialist, imperialist, and white supremacist foundations of modern academia. This collection of essays does more than merely remedy a scholarly lacuna; it sounds an urgent call to action that is bound to reverberate in years to come, generating further self-reflection, debate, and dialogue.”</p><p>—Ivan Drpić, author of<i> Epigram, Art, and Devotion in Later Byzantium </i></p>
<p>“This dynamic, multivocal volume has the potential to reshape not only the field of Byzantine studies but also larger movements within the humanities, with outstanding contributions by Aschenbrenner and Ransohoff, Achi, and Williams. Anderson and Ivanova’s work—particularly its willingness to engage with critical race and decolonial studies—will appeal to Byzantinists as well as those engaged in global medieval studies and adjacent fields, especially Ethiopian and Islamic studies.”</p><p>—Suzanne Conklin Akbari, author of <i>Idols in the East: European Representations of Islam and the Orient, 1100-1450</i></p>
Produktdetaljer
Om bidragsyterne
Benjamin Anderson is Associate Professor of the History of Art and Classics at Cornell University. He is the author of Cosmos and Community in Early Medieval Art and coeditor of Antiquarianisms: Contact, Conflict, Comparison, and The Byzantine Neighbourhood: Urban Space and Political Action.
Mirela Ivanova is Lecturer in Medieval History at the University of Sheffield. She is the author of Inventing Slavonic: Cultures of Writing Between Rome and Constantinople.