British Aristocracy in Popular Culture Essays on 200 Years of Representations
Produktdetaljer
Om bidragsyterne
Stefania Michelucci is a professor of English Studies at the University of Genoa, Italy. She is specializes in Modernism and the visual arts and on 20th century Anglo-American poetry and fiction. She has been a visiting scholar and has lectured all over the world, including the United States, the United Kingdom, France, Germany, South Africa and Japan. Ian Duncan is Florence Green Bixby Professor of English at the University of California, Berkeley, where he teaches the history of the novel, 19th-century British literature, and Scottish literature. Luisa Villa is a professor of English Studies at the University of Genoa, Italy. She has published books in Italian on Henry James, George Eliot, ressentiment in late 19th century fiction, and on the representation of the British military campaigns in the Sudan.“The collection applies various research methodologies to literary, artistic, and film representations of the British nobility to examine the enduring symbolic role and place of the aristocracy in culture and history. … These essays expand understanding of why these representations of British nobility matter—how they create and perpetuate a persistent ‘modern imagery’ of a historic aristocracy that many in the British and Anglophile world crave. ...recommended.”—<i>Choice</i>
As traditional social hierarchies fall away, ever steeper levels of economic inequality and the entrenchment of new class distinctions lend a new glamor to the idea of aristocracy: witness the worldwide popularity of Downton Abbey, or the seemingly insatiable public fascination with the private lives of the British royal family. This collection of new essays investigates the enduring attraction to the icon of the aristocrat and the spectacle of aristocratic society. It traces the ambivalent reactions the aristocracy provokes and the needs (political, ideological, psychological, and otherwise) it caters to in modern times when the economic power of the landed classes have been eroded and their political role curtailed. In this interdisciplinary collection, aristocracy is considered from multiple viewpoints, including British and American literature, European history and politics, cultural studies, linguistics, visual arts, music, and media studies.
Acknowledgments
Introduction (Stefania Michelucci, Ian Duncan and Luisa Villa)
Don Giovanni, the “Last Real Aristocrat” (Ian Duncan)
Château Désir and Beyond: The Young Disraeli and the Politics
of Silver-Fork Fiction (Luisa Villa)
Throwing Down the Gauntlet to “Society”: Charles Dickens and John Forster Challenge “Blood” (David Paroissien)
A Seeming Anomaly: The British Aristocracy and the Novels
of Anthony Trollope (Margaret Marwick)
“Transparent Swindles” and Others: Nineteenth-Century American Views of the English Aristocracy (Massimo Bacigalupo)
Thomas Hardy: Class and Pedigree (Phillip Mallett)
“Un pied sur chaque côté de la Manche”: Jacques-Émile Blanche’s
Pictorial Representation of British Aristocracy (Leo Lecci)
“Hanging up looking-glasses at odd corners”: The Multiple
Portraits of Lady Ottoline Morrell (1873–1938) (Anna Viola Sborgi)
Capsized Classes: The Aristocracy and the Annihilation
of History in D.H. Lawrence’s Later Works (Stefania Michelucci)
“A twitch upon the thread”: Memory, Tradition and Cultural Identity in Evelyn Waugh’s Brideshead Revisited (Sergio Crapiz)157
Misfits’ Portraits: Representations of English Aristocracy in World War I, Through the Interbellum to World War II (Mario Domenichelli)
Idealism, Farce and International Heterotopias: Aristocracy in Kazuo Ishiguro’s The Remains of the Day (Laura Colombino)
Aristocratic Syntax: Interrogative and Relative Who and Whom
in 19th and 20th Century Literature (Cristiano Broccias)
Narrative Rhetoric in Representing the British Aristocracy: Julian Fellowes and Peter Morgan (Paolo Braga)
Filmography
Bibliography
About the Contributors
Index