Truly a masterly performance . . . The book has so many qualities that it is impossible to mention them all. Fatland masters the genre to perfection . . . <i>The Border</i> transcends all borders. Reading it is a true delight.

Aftenposten

The strength of Fatland's second travel book lies in its ability to make history come alive through stories . . . Well-informed, precise, astute in its restraint, entertaining, balanced and not without the occasional dose of gentle irony - every chapter written by this border-crosser, who doesn't shy away from any ordeal, is captivating reading.

- Renate Nimtz-Köster, Sueddeutsche Zeitung

Masterly . . . A Norwegian Marco Polo . . . The lines of force of history become clear thanks to this thorough and well-written book by one of our best and most original young nonfiction authors.

Dagbladet

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<i>The Border</i> is like a kinderegg, it is a travel book, a history book, and a biography of people we normally do not hear much about but to whom we become close through Fatland's long Odyssey.

V.G.

She weaves her travel narrative with stories of people whose lives have been affected by Russia's geopolitical ambitions. Armchair adventurers and Russian history buffs are in for a treat.

Publishers Weekly

The latest from Norwegian social anthropologist Erika Fatland, who's shaping up to be one of the Nordics' most exciting new travel writers . . . An examination of Russia from its fringes, this is an interesting way to 'see' a country without ever actually going into it. And it offers up some pretty epic peripheral vision.

- Sarah Barrell, National Geographic

Erika Fatland deserves both applause and thanks for this impressive mix of history, reportage and travel memoir

- Michael Dirda, Washington Post

"Erika Fatland [is] shaping up to be one of the Nordics' most exciting new travel writers" National Geographic**SHORTLISTED FOR THE STANFORDS DOLMAN TRAVEL BOOK OF THE YEAR 2020**"A hauntingly lyrical meditation to the contingencies of history" Wall Street Journal"[An] impressive mix of history, reportage and travel memoir" Washington PostThe Border is a book about Russia and Russian history without its author ever entering Russia itself; a book about being the neighbour of that mighty, expanding empire throughout history. It is a chronicle of the colourful, exciting, tragic and often unbelievable histories of these bordering nations, their cultures, their people, their landscapes.Through her last three documentary books - one about terrorism in Beslan, one about the 2011 terror attacks in Norway and one about post-Soviet Central Asia - social anthropologist Erika Fatland has established herself as a sharp observer and an outstanding interviewer at the forefront of Nordic non-fiction.Translated from the Norwegian by Kari Dickson
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A journey along the seemingly endless Russian border - from North Korea in the Far East through Russia's bordering states in Asia and the Caucasus, crossing the Caspian Ocean and the Black Sea along the way.
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Truly a masterly performance . . . The book has so many qualities that it is impossible to mention them all. Fatland masters the genre to perfection . . . The Border transcends all borders. Reading it is a true delight.
Les mer
Erika Fatland deserves both applause and thanks for this impressive mix of history, reportage and travel memoir - Washington PostThe strength of Fatland's second travel book lies in its ability to make history come alive through stories . . . Well-informed, precise, astute in its restraint, entertaining, balanced and not without the occasional dose of gentle irony - every chapter written by this border-crosser, who doesn't shy away from any ordeal, is captivating reading. - Sueddeutsche ZeitungTruly a masterly performance . . . The book has so many qualities that it is impossible to mention them all. Fatland masters the genre to perfection . . . The Border transcends all borders. Reading it is a true delight. - AftenpostenMasterly . . . A Norwegian Marco Polo . . . The lines of force of history become clear thanks to this thorough and well-written book by one of our best and most original young nonfiction authors. - DagbladetThe Border is like a kinderegg, it is a travel book, a history book, and a biography of people we normally do not hear much about but to whom we become close through Fatland's long Odyssey. - V.G.She weaves her travel narrative with stories of people whose lives have been affected by Russia's geopolitical ambitions. Armchair adventurers and Russian history buffs are in for a treat. - Publishers WeeklyThe latest from Norwegian social anthropologist Erika Fatland, who's shaping up to be one of the Nordics' most exciting new travel writers . . . An examination of Russia from its fringes, this is an interesting way to 'see' a country without ever actually going into it. And it offers up some pretty epic peripheral vision. - National Geographic
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Produktdetaljer

ISBN
9780857057785
Publisert
2021
Utgiver
Vendor
MacLehose Press
Vekt
436 gr
Høyde
196 mm
Bredde
128 mm
Dybde
32 mm
Aldersnivå
00, G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
608

Forfatter
Oversetter

Om bidragsyterne

Erika Fatland was born in 1983 and studied Social Anthropology at the University of Oslo. Her 2011 book, The Village of Angels, was an in situ report on the Beslan terror attacks of 2004 and she is also the author of The Year Without Summer, describing the harrowing year that followed the massacre on Utøya in 2011. For Sovietistan (2019) she was shortlisted for the Edward Stanford/Lonely Planet Debut Travel Writer of the Year, and The Border (2020) was shortlisted for the Stanfords Dolman Travel Book of the Year 2020. She speaks eight languages and lives in Oslo with her husband. KARI DICKSON is a translator from Norwegian of crime fiction, literary fiction, children's books, theatre and non-fiction, including Erika Fatland's Sovietistan and The Border. She is also an occasional tutor in Norwegian language, literature and translation at the University of Edinburgh, and has worked with B.C.L.T. and the Writers' Centre Norwich.