a pioneering study ... esthetics of Loss identifies and underscores the vital importance of women's art to our greater understanding of the First World War, not least with regard to the manner and extent to which it established and asserted female agency, and how it developed a singular art that documented other experiences of war.

Ann Murray, IHR Reviews in History

fascinating and timely

History Today

The author's judicious examination of this imagery, based not only on the art itself but also on letters, diaries and a broad array of archival material, together with other primary and secondary sources, is a welcome addition to the literature of wartime visual culture.

Marion F. Deshmukh, German History

The Aesthetics of Loss is a cultural history of German women's art of the First World War that locates the artists' rich visual testimony in the context of the civilian experience of war and wartime loss. Drawing on a fascinating body of visual sources produced throughout the war years, Claudia Siebrecht examines the thematic evolution of women's art from expressions of support for the war effort to more nuanced and ambivalent testimonies of loss and grief. Many of the images are stark woodcuts, linocuts, and lithographs of great iconographical power that acted as narrative tools to deal with the novel, unsettling, and often traumatic experience of war. German female artists developed a unique aesthetic response to the conflict that both expressed emotional distress and allowed them to re-imagine the place of mourning women in wartime society. Historical codes of wartime behaviour and traditional rites of public mourning led female artists to redefine cultural practices of bereavement, question existing notions of heroic death and proud bereavement through art, and to place grief at the centre of women's war experiences. As a cultural, aesthetic, and thematic point of reference, German women's art of the First World War has had a fundamental influence on the European memory and understanding of modern war.
Les mer
An examination of German women's art produced during the First World War that places the artists' visual responses within the civilian war experience. Traces the thematic evolution of women's art from visual expressions of support for the national war effort to more nuanced and distraught representations of grief over wartime death.
Les mer
Introduction: War Experience, Visual Narrative, and Identity ; 1. Female Artists and Cultural Mobilisation for War ; 2. The Toll of the Long War ; 3. Art and Grief ; 4. Mourning Mothers ; 5. Resurrection, Rebirth, and the Limits of Sacrificial Ideologies ; Conclusion ; Appendix I: Statistical Overview ; Appendix II: Short Biographies ; Sources and Bibliography ; Index
Les mer
Explores German women's artistic responses to the First World War so examines an overlooked and fascinating body of visual sources Sheds light on civilian responses to mass death and bereavement Contributes to our understanding of art and aesthetics in the twentieth century
Les mer
Dr Claudia Siebrecht is a lecturer in modern European History at the University of Sussex.
Explores German women's artistic responses to the First World War so examines an overlooked and fascinating body of visual sources Sheds light on civilian responses to mass death and bereavement Contributes to our understanding of art and aesthetics in the twentieth century
Les mer

Produktdetaljer

ISBN
9780199656684
Publisert
2013
Utgiver
Oxford University Press; Oxford University Press
Vekt
540 gr
Høyde
240 mm
Bredde
162 mm
Dybde
19 mm
Aldersnivå
U, P, 05, 06
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
210

Forfatter

Om bidragsyterne

Dr Claudia Siebrecht is a lecturer in modern European History at the University of Sussex.