The volume will appeal to scholars and students in the fields of animal studies, area studies and comparative literature, gender studies, environmental humanities, ecocriticism, and the broader field of posthumanism.

1. Introduction: What is Zoopoetics? - Kári Driscoll & Eva Hoffmann.- 2. Prelude: "I Observe with My Pen" - Marcel Beyer.- 3. Hunting Narratives: Capturing the Lives of Animals - Nicolas Picard.- 4. 'You Cannot Escape from Your Moles': The Becoming-Animal of Günter Eich’s Late Literary Texts - Belinda Kleinhans,.- 5.  The Grammar of Zoopoetics: Human and Canine Language Play - Joela Jacobs.- 6. 'Sire, says the fox’: Zoopoetics and Zoopolitics of the Fable in Kleist’s ‘On the Gradual Production of Thoughts Whilst Speaking’ - Sebastian Schönbeck.- 7. 'The Light That Therefore I Give (to)': Paleonymy and Animal Supplementarity in Clarice Lispector’s The Apple in the Dark - Rodolfo Piskorski.- 8. Constituents of a Chaos: Whale Bodies and the Zoopoetics of Moby-Dick - Michaela Castellanos.- 9. Queering the Interspecies Encounter: Yoko Tawada’s Memoirs of a Polar Bear - Eva Hoffmann.- 10. Myth, Absence, Haunting: Towards a Zoopoetics of Extinction - Paul Sheehan.- 11. Spinning Theory: Three Figures of Arachnopoetics - Matthias Preuss.- 12. Impersonal Love: Nightwood's Poetics of Mournful Entanglement.- 13. Between Encounter and Release: Animal Presences in Two Contemporary American Poems - Ann Marie Thornburg.- 14. Heading South into Town: ipipipipipipip, ah yeah, um, we’re gonna, yeah, ip - Catherine Clover.- 15. Coda: Speaking, Reading, Writing - Marcel Beyer.

“This collection provides a long overdue corrective to the presumption that zoopoetics is simply devoted to literature and culture about animals. What Is Zoopoetics? undertakes something far more intellectually ambitious and ethically challenging: an exploration of the delicate, beguiling, and illuminating zoopoetics of humankind’s entanglement with animals, and with its own animality, in the domain of literature and beyond. Anyone interested in new ways to read “the animal question” far beyond its usual thematics will want this volume.” (Cary Wolfe, author of What Is Posthumanism? and Before the Law: Humans and Other Animals in a Biopolitical Frame) “This bold new set of explorations in literary animal studies is aptly titled with a question:  What Is Zoopoetics? The answers are not only wide-ranging and complex demonstrations of the thick and tangled ways animals figure within and around textual practices, but they also unfold powerful new forms of questioning for the field—the hallmark of incisive scholarly work. The “material-semiotic knots” that literary animals pose to us have never seemed so urgent and captivating.” (Carrie Rohman, author of Stalking the Subject: Modernism and the Animal) “Whether analyzing hunting narratives or poems of pets, the insightful essays in this volume remind us of the many ways in which our encounters with other animals are not only shaped by the language we use to represent them, but also of how our language is, in turn, affected by those animals who inspire, if not incite, a zoopoetics.” (Kari Weil, author of Thinking Animals: Why Animal Studies Now?) “When I first read the term zoopoetics, I intuited that it had its own infinitude, that it, in and of itself, had the potential to be the impetus for a limitrophy that would compel readers to delve into the vast terrain where and when species meet. Each contribution of this collection contributes to the expansion of that vastness, from a queering of zoopoetics, to a hauntology, to a recognition that we human readers are not much more than hunters tracking the traces of these arcane markings on a printed page. If there was any doubt of the importance of zoopoetics to the discourse of Animal Studies, this collection puts it to rest. We may not be able to turn the tide of today’s mass extinction, but at least here we have a dialectic of ode and elegy, an homage to the critters, the co-creators of culture and consciousness.” (Aaron M. Moe, author of Zoopoetics: Animals and the Making of Poetry)“A multifaceted introduction to the revolutionary new field of zoopoetics, this lively collection brings an international array of perspectives to question the interrelation of animals and language. Inspired by Derrida's coining of the term "zoopoetics" and his suggestion that all thinking comes from encounters with the gaze of animal beings, a new generation of scholars step beyond most critical animal studies to explore how literary works engage particular animal subjectivities and bodies. The result offers a profound destabilization of human arrogance. From Moby Dick to Kafka’s stories and many contemporary texts, these approaches recover human animality in poetry and narrative, examine our shared embodiment, overturn human assumptions of superiority, and question many forms of entanglement within a forgotten intense community. An exciting and necessary book for the present moment of danger threatening all animal life.” (Louise Westling, author of The Logos of the Living World: Merleau-Ponty, Animals, and Language)“Animal studies has always been interested in animals in literature. For the most part, however, literary texts have been approached as sites for mining information about the various ways different cultures have at various times thought about and interacted with animals. Now, in response to the animal turn in literary studies, animal studies is beginning to undergo a poetic turn. The present volume offers the first comprehensive document of this poetic turn within animal studies, featuring a wide variety of in-depth case studies. Together, they present a panorama of potential answers to the question of what, specifically, zoopoetics is or could be.” (Roland Borgards, Director of the Würzburg Graduate School of Humanities, Germany)

Moves away from traditional literary criticism, which has been marked by the tendency to disregard the ubiquitous animal presence in literary texts, or shown determination to read animals simply as metaphors and symbols for something else Explores zoopoetics both as an object of study (the texts themselves) and as a method for studying literature, which is therefore transferable to other contexts Focuses primarily on non-Anglophone literature, broadening the scope and reach of the work, and is the first comprehensive, comparative, transnational exploration and definition of zoopoetics

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