<p>Hans Blumenberg's <i>St. Matthew Passion</i> is a profound and passionate examination of the philosopher's central theme of Christian faith and the passion of the Son of God.</p>

Zeitzeichen

<p>The translators have managed beautifully the enormous shifts in Blumenberg's sometimes taxing prose; [they] offer readers both senses of "passion," suffering and enthusiasm, a kind of enlargement of humanity that parallels the still-unscrolling story Blumenberg tells.</p>

Critical Inquiry

<p><i>St. Matthew Passion</i> stands as the deepest engagement with the Gospel narrative by a 20th century philosopher who is also a critic of religion. But its criticism lies not in conventionally-construed atheistic grounds (on which the narrative could easily be dismissed). Instead, it is a careful engagement of the texts in question that deserves careful consideration by anyone who cares about these texts.</p>

Journal for Continental Philosophy of Religion

St. Matthew Passion is Hans Blumenberg's sustained and devastating meditation on Jesus's anguished cry on the cross, "My God, my God, why have you forsaken me?" Why did this abandonment happen, what does it mean within the logic of the Gospels, how have believers and nonbelievers understood it, and how does it live on in art? With rare philological acuity and vast historical learning, Blumenberg unfolds context upon context in which this cry has reverberated, from early Christian apologetics and heretics to twentieth-century literature and philosophy. Blumenberg's guide through this unending story of divine abandonment is Johann Sebastian Bach's monumental Matthäuspassion, the parabolic mirror that bundled eighteen hundred years of reflection on the fate of the crucified and the only available medium that allows us post-Christian listeners to feel the anguish of those who witnessed the events of the Passion. With interspersed references to writers such as Goethe, Rilke, Kafka, Freud, and Benjamin, Blumenberg gathers evidence to raise the singular question that, in his view, Christian theology has not been able to answer: How can an omnipotent God be so offended by his creatures that he must sacrifice and abandon his own Son?
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1. The Horizon Pacing Off the Horizon The One Author of the One Story The Beginning of Wisdom Relief—or Even More? The Theological Generosity of the St. Matthew Passion Saving the 'Implied Listener' from Historical Reason The Metaphorical Horizon The Ransom The Lamb And the Listening Never Ends An Apostrophe Goethe Could Not Understand Imagining Nietzsche Listening to the St. Matthew Passion Listening to Rilke as He Listens to the St. Matthew Passion Wittgenstein's Mother 'Never Will This Child Be Crucified...' 2. Escalations of a God If It Was This One, It Can Be No Other An Aesthetics of Creation: How It Justifies the Existence of the World God Refuses to Be Transparent Time and Again: What Happened in Paradise? The Magnification of God The Work of the Patriarchs and the Work of Music Abraham's Fear of God, Thought to the End: The Lamb, Not the Ram 3. Corporeality The Incarnation of the Word as an Offense to the Angels Countermove: The Angel of the Annunciation God's Entanglement in the World Since When Am I? Since When Was This One? Why So Late? A Fulfilled Promise 4. Apostates The Comic Element of Simon Peter The Denial Becomes Defamation The One Driven by Great Expectations When Someone Becomes Too Old to Reach for Dominion Visit to a Stone That Almost Cried Out The Realism of the Field of Blood The Pieces of Silver 5. Between Two Murderers Jesus's Susceptibility to Temptation Barabbas and the Authentic Words of Jesus The 'Two Murderers' on Golgotha 'He Calls for Elijah!' The Primal Scream Theological Defense and Human Recovery No Martyrdom The Last Word in the Passion of Saint John The Witness of the Fourth Evangelist 6. The Tears 'We Sit Down in Tears...' Unto the Sealed Tomb Tears of the Father, Only to Be Thought Paul Weeps The Power of Tears over Omnipotence 7. The Imperceptibility of the Messiah Caravaggio's Emmaus Traces From the Unwritten A Misinterpreted Agraphon The Messianic: Prophet and Sybil The Risk of Still Waiting for the Messiah Messianic Minimalism The Desperate Messianism of the Second Rome The Sin That Cannot Be Forgiven Remembering Origen 8. The Excesses of the Philosophers' God
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Hans Blumenberg's St. Matthew Passion is a profound and passionate examination of the philosopher's central theme of Christian faith and the passion of the Son of God.
Were phenomenology and conceptual history ever meant to be quite so magnificent? In this study of Bach's 'implied listener' and of our distance from him, Hans Blumenberg offers a moving depiction of the forces, from the Protestant God to the congregation to redemption, that gave meaning to the movements of the St. Matthew Passion, and examines the religious, emotional, psychic, even physical force 'in' Bach's music. Helmut Müller-Sievers and Paul Fleming's resplendent translation conveys Blumenberg's prose and, in particular, the astonishing effort he put to molding us in turn, so we might read, hear, and understand the chorus of theology's ideas.
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Produktdetaljer

ISBN
9781501705809
Publisert
2021-11-15
Utgiver
Vendor
Cornell University Press and Cornell University Library
Vekt
907 gr
Høyde
229 mm
Bredde
152 mm
Dybde
25 mm
Aldersnivå
01, G, 01
Språk
Product language
Engelsk
Format
Product format
Innbundet

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Om bidragsyterne

Hans Blumenberg (1920–1996) was one of the most important German philosophers of the twentieth century. Among his many books that have been translated into English are Paradigms for a Metaphorology and Rigorism of Truth.
Helmut Müller-Sievers is Professor of German at the University of Colorado, Boulder, and author of several books, including The Science of Literature.
Paul Fleming is the L. Sanford and Jo Mills Reis Professor of Humanities and the Taylor Family Director of the Society for the Humanities at Cornell University. He is author of The Pleasures of Abandonment and Exemplarity and Mediocrity.