Arne De Boever has distinguished himself for a staccato stream of evocative, thought-provoking, and eminently readable books that are connected by an unmistakably personal style of addressing contemporary problems in our stark reality. Looking back, this oeuvre forms a singular mosaic of critique and inspiration, and Post-Exceptionalism is its precious new gem.
- Stathis Gourgouris, Columbia University,
Postmodernism has come and gone, but the belief that artists and works of art are exceptional is alive and well. Post-Exceptionalism speculates that this is so because postmodernism, when it declared the death of the author and celebrated the copy, failed to name political theology as its fundamental target. In a time when sovereignty is experiencing a dubious global revival, the moment has come to reconsider the artist and the work of art after political theology in search for a new, worldly, and emancipatory politics of aesthetics.
Les mer
Brings together the philosophy of art and aesthetics with debates about political theology and sovereignty.
Acknowledgments
Introduction: Post-Exceptionalism and Its Politics
Part I. The Vandal
1. Damage Art
2. The Copy’s Blow
Part II. The Forger
3. Post-Exceptional Fakes
4. Turning Toward Landscape
Part III. The Sage
5. Post-Exceptionalism as Political Formalism
6. From Duplitectures to Dafen
Conclusion: Variations on Post-Exceptional Art
Coda: The End of Art (Once Again)
Les mer
Develops a critique of aesthetic exceptionalism and proposes a new theory of post-exceptionalism
Produktdetaljer
ISBN
9781399539692
Publisert
2025-01-31
Utgiver
Edinburgh University Press; Edinburgh University Press
Høyde
190 mm
Bredde
135 mm
Aldersnivå
UP, 05
Språk
Product language
Engelsk
Format
Product format
Innbundet
Forfatter