'Locating the political significance of art has not only gone out of fashion, it has in recent years become a source of embarrassment. No one has argued against this repression with more precision, nuance, and undeniable force than Jacques Ranciere ... This book, with an emphatic "Afterword" by Zizek, provides a riveting and compelling outline of the central elements of Ranciere's politics of aesthetics and its relation to his demanding rethinking of the political.'

- J.M. Bernstein, New School for Social Research,

'A benchmark, this compact book shows why Ranciere is one of the most compelling thinkers and writers in France since Michel Foucault and Gilles Deleuze.'

- Tom Conley, Harvard University, USA,

'This is possibly the most important essay, despite its length, since Adorno's Aesthetic Theory.'

- Adrian Rifkin, Professor of Visual Culture, Middlesex University, UK,

'A tour de force! Through a revitalisation of the term 'aesthetics', Ranciere is able to raise novel questions concerning the nature of history, the sense of our modernity, the relationship between work and art and between science and art, and the peculiarity of aesthetic experience (showing, in essence, that it cannot be contained but informs all our forms of life and activities).'

- Keith Ansell Pearson, Professor of Philosophy, Warwick University, UK,

'The readership for Ranciere's work is highly interdisciplinary. Le Partage du sensible would be obligatory reading in graduate courses in Philosophy, Aesthetics, Political Science, French Studies, Literature, and Cultural Studies, where it would be read in the context of other major thinkers of politics and aesthetics such as Walter Benjamin, Jean-Paul Sartre, Roland Barthes, Jacques Derrida, Etienne Balibar, Michel Foucault, Paul Ricoeur, Jurgen Habermas, Jean-Francois Lyotard, and Slavoj Zizek.'

- Kristin Ross, Professor of Comparative Literature, New York University, USA,