Philosophy by Other Means The Arts in Philosophy and Philosophy in the Arts
Produktdetaljer
Om bidragsyterne
Robert B. Pippin is the Evelyn Stefansson Nef Distinguished Service Professor at the University of Chicago. He is the author of Henry James and Modern Moral Life, After the Beautiful, several books on modern German philosophy, and five books on film and philosophy, most recently, Filmed Thought: Cinema as Reflective Form, also published by the University of Chicago Press." [A] marvellous, labyrinthine book."
Times Literary Supplement
"Philosophers weary of banal abstraction will find fresh sources of inspiration within Pippin’s poetic importations... Pippin makes a strong case not only for a philosophic reading of art, but also for an artistic reading of philosophy."
Athwart
“This collection of essays addresses the perennial question of the relation between philosophy and aesthetic criticism with cogency and originality. It’s hard to think of anyone better qualified to explore this question, as Pippin has made major contributions both to the study of modern German philosophy and to philosophical approaches to aesthetic objects, notably painting, literary fiction, and film.”
- Derek Attridge, University of York,
“When seeking to bring together two distinct practices or disciplines it is all too easy to confuse them or lose sight of what is most interesting about each. Pippin avoids this fate with remarkable grace and precision. His philosophical questions illuminate literature and art, and his interpretations of particular works invite a philosophical connection without depending on it. A wonderful, infinitely interesting project.”
- Michael Wood, Princeton University,
“These essays display the enormous range of Pippin’s intelligence as a commentator on philosophy and literature. Whether as an expounder of Hegel’s aesthetics or an interpreter of self-knowledge in <i>What Maisie Knew</i>, he offers discoveries that always reward the attention he demands.”
- David Bromwich, Yale University,
"Artworks are neither aesthetically rendered content ripe for philosophical articulation at a later stage, nor mere particulars resisting interpretation, but are revealed here as the friction that any thinking needs to make its concepts come alive for us. In this way, this book offers the finest compliment philosophy could give to art, not by defining it or grasping it in a comprehensive theory, but by engaging it and letting it offer us something to understand, again and again."
The Journal of Aesthetics and Art Criticism
"The book should likewise prove a rewarding read for those working in the field of literature and philosophy more generally, as Pippin treats the literary more seriously and with greater precision than just about any other contemporary American philosopher."
ALH Online Review