Few contemporary artists have opened up the dialogue between the conceptual and the visual more insistently than Maria Bussmann. Carrier takes the reader boldly into the challenging world of her philosophically-inspired, genre-defying drawings as he probes her engagement with philosophers from Spinoza, Kant and Hegel to Wittgenstein, Merleau-Ponty and Arendt.

Allen Speight, Professor of Philosophy, Boston University, USA

David Carrier’s singular and fascinating book provides its readers with a philosopher-art historian-art critic’s stimulating reflections on aesthetics and also detailed interpretations of numerous works of a visual artist, also a philosopher, whose visual representations engage in dialogue with philosophic theories. This makes for a rich brew of ideas, philosophical and interpretative, all presented with clarity and reasoned argument. It provides both pleasure and illumination from its beginning to its end.

Herbert Morris, Emeritus Professor of Philosophy, Emeritus Professor of Law and Emeritus Dean of Humanities, UCLA, USA

The artwork of Maria Bussmann, a trained academic German philosopher and a significant visual artist, provides an ideal test case for a philosophical study of visual art. Bussmann has internalized the relationship between art and philosophy. In this exploration of the history of German aesthetics through Bussmann's work, David Carrier places the philosophical tradition in the context of contemporary visual culture. Each chapter focuses on the arguments of a major philosopher whose concerns Bussmann has dealt with as an artist: Kant, Hegel, Merleau-Ponty, Wittgenstein and Arendt. Offering comparative accounts of artists and philosophers whose work is of especial relevance, Carrier shows how Bussmann responds visually to writings of philosophers in art that has an elusive but essential relationship to theorizing. Tackling the question of whether philosophical subjects can be presented visually, Carrier offers a fresh perspective on the German idealist position through the visual art of 21st-century artist steeped in the tradition and continually challenging it through her work.
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Personal Preface Introduction: Philosophy as a Subject for Visual Art 1. Identity/Metamorphosis/Translation 2. An Introduction to Maria Bussmann’s Translations 3. Are Translations of Philosophy into Visual Art Possible? 4. Ludwig Wittgenstein, Tractatus Logico-Philosophicus 5. Maurice Merleau-Ponty, The Visible and the Invisible 6. Hannah Arendt 7. Lawrence Carroll and Maria Bussmann 8. Illustrations, Graphic Novels, Diagrams 9. An Art History Made by Bussmann 10. the Composition and Interpretation of Bussmann’s Art Conclusion: The Contribution of Bussmann’s Art to Philosophical Aesthetics Maria Bussmann: Selected Solo and Group Exhibitions Maria Bussmann: Selected Public and Private Collections Bibliography Index
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Few contemporary artists have opened up the dialogue between the conceptual and the visual more insistently than Maria Bussmann. Carrier takes the reader boldly into the challenging world of her philosophically-inspired, genre-defying drawings as he probes her engagement with philosophers from Spinoza, Kant and Hegel to Wittgenstein, Merleau-Ponty and Arendt.
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An account of the German philosophical tradition of aesthetics as seen through the work of the contemporary German artist, Maria Bussmann.
Explores the theories of Kant, Hegel, Merleau-Ponty, Wittgenstein and Arendt through the artwork of Maria Bussmann
Philosophers and cultural historians typically discuss works of art in abstract terms. But the significance of art for philosophy, and philosophy for art, can be better established through close analysis of specific examples. With art increasingly being used to introduce and discuss problems in philosophy, and many works of art raise important philosophical issues of their own, this series provides a productive context for interactions between analytic philosophy, art history and contemporary art. Shedding light on conceptual art, abstract art and the role of the artist, Aesthetics and Contemporary Art discusses the work of major international contemporary artists as well as significant matters in contemporary artistic production. The aim of the series is to promote philosophy as a framework for understanding the study of contemporary arts and artists, showcasing research that exemplifies cutting-edge and socially engaged scholarship, bridging theory and practice, academic rigour and insight into 21st century art.
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Produktdetaljer

ISBN
9781350245136
Publisert
2022-12-29
Utgiver
Vendor
Bloomsbury Academic
Høyde
234 mm
Bredde
156 mm
Aldersnivå
U, 05
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
208

Forfatter

Om bidragsyterne

David Carrier has taught philosophy in Pittsburgh, Pennsylvania and art history in Cleveland, Ohio. A former Getty Scholar and a Clark Fellow, he has been Lecturer in the Council of the Humanities and Class of 1932 Fellow in Philosophy, Princeton University, USA.