<p><i>Paradigms for a Metaphorology</i> is a model of scholarly translation. Savage's handling of citations and sources is scrupulous and thorough.... And he provides judicious explanatory notes that work in conjunction with the afterword and Blumenberg's own notes to guide readers through Blumenberg's own reading and career. Finally, and most importantly, his English rendering is consistently accurate while also being, in the context of translations of German philosophy, remarkably readable.... In short, readers approaching Blumenberg's reflections on metaphor through the English language could not ask for a more reliable and helpful guide than this volume.</p>

- David Adams, Notre Dame Philosophical Reviews

What role do metaphors play in philosophical language? Are they impediments to clear thinking and clear expression, rhetorical flourishes that may well help to make philosophy more accessible to a lay audience, but that ought ideally to be eradicated in the interests of terminological exactness? Or can the images used by philosophers tell us more about the hopes and cares, attitudes and indifferences that regulate an epoch than their carefully elaborated systems of thought? In Paradigms for a Metaphorology, originally published in 1960 and here made available for the first time in English translation, Hans Blumenberg (1920-1996) approaches these questions by examining the relationship between metaphors and concepts. Blumenberg argues for the existence of "absolute metaphors" that cannot be translated back into conceptual language. "Absolute metaphors" answer the supposedly naïve, theoretically unanswerable questions whose relevance lies quite simply in the fact that they cannot be brushed aside, since we do not pose them ourselves but find them already posed in the ground of our existence. They leap into a void that concepts are unable to fill. An afterword by the translator, Robert Savage, positions the book in the intellectual context of its time and explains its continuing importance for work in the history of ideas.
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What role do metaphors play in philosophical language? Are they impediments to clear thinking that should be eradicated in the interests of terminological exactness? Or can they be used by philosophers to indicate the attitudes that regulate an epoch?
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Hans Blumenberg: An Introduction Part I: History, Secularization, and Reality 1. The Linguistic Reality of Philosophy (1946/1947) 2. World Pictures and World Models (1961) 3. "Secularization": Critique of a Category of Hisotrical Illegitimacy (1964) 4. The Concept of Reality and the Theory of the State (1968/1969) 5. Preliminary Remarks on the Concept of Reality (1974) Part II: Metaphors, Rhetoric, and Nonconceptuality 6. Light as a Metaphor for Truth: At the Preliminary Stage of Philosophical Concept Formation (1957) 7. Introduction to Paradigms for a Metaphorology (1960) 8. An Anthropological Approach to the Contemporary Significance of Rhetoric (1971) 9. Observations Drawn from Metaphors (1971) 10. Prospect for a Theory of Nonconceptuality (1979) 11. Theory of Nonconceptuality (circa 1975, excerpt) Part III: Nature, Technology, and Asthetics 12. The Relationship between Nature and Technology as a Philosophical Problem (1951) 13. "Imitation of Nature": Toward a Prehistory of the Idea of the Creative Being (1957) 14. Phenomenological Aspects on Life-World and Technization (1963) 15. Socrates and the objet ambigu: Paul Valery's Discussion of the Ontology of the Aesthetic Object and Its Tradition (1964) 16. The Essential Ambiguity of the Aesthetic Object (1966) 17. Speech Situation and Immanent Poetics (1966) Part IV: Fables, Anecdotes, and the Novel 18. The Absolute Father (1952/1953) 19. The Mythos and Ethos of America in the Work of William Faulkner (1958) 20. The Concept of Reality and the Possibility of the Novel (1964) 21. Pensiveness (1980) 22. Moments of Goethe (1982) 23. Beyond the Edge of Reality: Three Short Essays (1983) 24. Of Nonunderstanding: Glosses on Three Fables (1984) 25. Unknown Aesopica: From Newly Found Fables (1985) 26. Advancing into Eternal Silence: A Century after the Sailing of the Fram (1993)
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Paradigms for a Metaphorology is a model of scholarly translation. Savage's handling of citations and sources is scrupulous and thorough.... And he provides judicious explanatory notes that work in conjunction with the afterword and Blumenberg's own notes to guide readers through Blumenberg's own reading and career. Finally, and most importantly, his English rendering is consistently accurate while also being, in the context of translations of German philosophy, remarkably readable.... In short, readers approaching Blumenberg's reflections on metaphor through the English language could not ask for a more reliable and helpful guide than this volume.
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A series edited by Peter Uwe Hohendahl and published jointly by Cornell University Press and Cornell University Library
Series editor: Peter Uwe Hohendahl, Cornell University Signale: Modern German Letters, Cultures, and Thought provides a new publishing model for the best new English-language book manuscripts in German literature, criticism, and cultural studies and translations of important German-language works. Signale construes "modern" in the broadest terms: from post-medieval Frühe Neuzeit to post-modern present. Home to a range of interdisciplinary and theoretical work concerned with this extended modernity, the series will also build focus clusters in areas of German Studies scholarship that have become increasingly difficult to place in the North American publishing context, but which remain fundamental to the health of the discipline. Work on the early modern period – Humanism, Baroque, Enlightenment – will form one such focus area; literary studies of the work of individual authors will be another. One goal is better integration into a broader interdisciplinary understanding of German studies of periods and scholarly genres that are vulnerable to marginalization. Signale books are published under a joint imprint of Cornell University Press and Cornell University Library in electronic and print formats. Manuscript submissions to Signale undergo the same rigorous editorial and peer review as Cornell University Press monographs published in the traditional manner. Publication of Signale books is supported by a grant from The Andrew W. Mellon Foundation. Individuals interested in having their project considered for inclusion in Signale are asked to send a cover letter and a 3- to 5-page prospectus that summarizes the book project, describes its relationship to existing scholarship, and identifies its likely audience. The prospectus should include a chapter outline and specify the length of the manuscript (in words); if the manuscript is not yet completed, a time frame for completion should be included. The letter and prospectus should be sent in electronic form (MS Word) to the managing editor: Kizer Walker Managing Editor, Signale Series Cornell University Library 310 Uris Library Ithaca, NY 14853 email: kw33@cornell.edu For more information about Signale, visit the series website: http://signale.cornell.edu/
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Produktdetaljer

ISBN
9781501704352
Publisert
2010
Utgiver
Vendor
Cornell University Press
Vekt
454 gr
Høyde
229 mm
Bredde
152 mm
Dybde
13 mm
Aldersnivå
01, G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet

Forfatter
Oversetter

Om bidragsyterne

The late Hans Blumenberg was Professor of Philosophy, Emeritus, at the University of Münster and the author of books including The Legitimacy of the Modern Age, The Genesis of the Copernican World, and Work on Myth. Robert Savage is the author of Hölderlin after the Catastrophe.