Oxi is a film and an act of resistance, a way of countering the conditions of a current crisis or drama. This 'drama' - the word means crossroads or crisis - reveals our own indebtedness to Greece; and Oxi thereby addresses the very nature of our present global financial crisis. To read this is to affirm something other than debt: Oxi also says ‘ναι’ – yes - to a different modernity, a different set of global arrangements.
- Thomas Docherty, Professor of English and Comparative Literature, University of Warwick,
Ken McMullen’s film OXI offers a fierce critique of the economic policy that underlies the Greek crisis, representing what is happening in terms of the irresoluble conflicts of tragedy: between the demands of humanity and care and the imperatives of the market. This timely publication of the screenplay of the film, accompanied by some powerful critical essays, brings out the significance of the perspective of the humanities in such a crisis, to guard against the danger of treating economics as the master science.
- Mary Margaret McCabe, Keeling Scholar in Residence and Honorary Professor, University College London,