"<i>Love As Human Freedom</i> proposes theses that are breathtaking in their sweep. We have here a kind of philosophical-historical cultural anthropology that is very clear, often elegant, and quite direct in proposing its ambitious claims, with brilliant discussions that are deeply felt and finely argued. Paul Kottman engages with every conceivable interlocutor on his subjects, and his scholarship is world-class, just superb."

- Robert Pippin, University of Chicago

"<i>Love As Human Freedom</i> is a risk-taking and ambitious book that makes a series of interlocking, counter-intuitive arguments. Love is not, Paul Kottman claims, inescapably bound up with the irrational; on the contrary, it is the way we have taught ourselves that we are both rational and free. And the path to the freedom love brings passes, he proposes, through the valley of the shadow of gender domination and death. Along the way, Kottman offers challenging reflections on the myths of Orpheus and Eurydice and of Tristan and Isolde, as well as readings of <i>Romeo and Juliet</i> and <i>Othello</i>. A wild ride."

- Stephen Greenblatt, author of <i>The Swerve: How the World Became Modern</i>

"I am currently pondering a new, deeply thought, original, and in many ways disturbing book by Paul Kottman, <i>Love as Human Freedom</i>. It posits, first of all, a radical transformation of consciousness in the feminist-sexualist-genderist familial-arrangement that has [taken place] within the last century or so in certain areas of the world where work and labor, interpersonal relationships, and institutions such as marriage, courtship, divorce, same-sex relationships, patriarchy, and rights of the unborn, women, animals, and children have undergone changes un-thought of except in the most radical utopias of the past. Having posited this radical transformation, Kottman accounts for it by transformations in loving relationships rather than (solely) by changes in the infrastructures of modernizing societies. He suggests that love is itself not only a specific kind of relationship between subjects and objects of desire, but is, rather, a means of knowledge production. Older and still predominant notions of love worldwide presume a relationship of dominance-subordination between lovers, with one of the lovers assuming the subaltern in what is essentially a kind of (Hegelian) bondsman-servant or master-slave relationship. Rebellion against this kind of relationship occurs as a long result of the effects of the kind of knowledge we can have of ourselves and of others by way of loving. We find out or come closer to finding out who we are (what kind of person we are) by loving—not always, of course, but could we ever find out who we are if we never loved or were loved? [] The payoff of this book, indicated by the title, is contained in the idea that love provides the only or the principal basis for a freedom that is uniquely human. Love provides the experience that allows us to enter into intimate relations with others while, at the same time, seeing these relations as a basis, not for domination, but for living a free life (as free as an incarnated being's life can hope to be) and willing the freedom of those we love as well."

- Hayden White, University of California, Santa Cruz

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"I do not intend to exaggerate, but this may be the best contemporary stuff on love I have ever read. It is as if Paul Kottman wanted to write the book on love that Hegel himself would have written as if he were alive today. There are some controversial and frankly exaggeratedly bold claims, but the central thesis—roughly, that love, as passion, is a form of collectiveaction that is somehow aimed at understanding and changing the world—is striking. The most fascinating thing is though how the author manages to drop mind-blowing, original interpretations of some of the most discussed literary texts in the (Western) canon: <i>Romeo and Juliet</i> and <i>Othello</i>; <i>Anna Karenina</i> and <i>Madame Bovary</i>. Here, you can also find the best philosophical justification ever for birth control and reproductive technologies. Even if you do not give a (philosophical) $%^# about love and sexuality, read this book!!!"

- Federica Gregoratto, University of St. Gallen

"I'm writing to say – with difficulty, because reaching for superlatives can easily end in expressive failure: I found your book stunning. I get most of my academic reading satisfaction these days from micro-technical textual commentaries on German philosophy. I can't recall when I last read anything that similarly bowled me over with originality & subtlety of vision. I've been recommending it to all relevantly receptive friends. Had I written anything with the same scope and of such quality, my worry would be what to do next."

- Sebastian Gardner, University College London

"Kottman provides a brilliant, speculative account of the problems that had to be solved—and that are still being solved—in order for love to acquire its contemporary significance. The story that he tells in rich detail succeeds in making sense of love's sense-making power." —Andrew Cutrofello, <i>Los Angeles Review of Books</i>

"<i>Love as Human Freedom</i> tells what is in more ways than one a great story. In so doing, it defines life, art, and criticism as interdependent forms of thinking with the highest possible stakes. I hope Shakespeareans and others will sit up and take notice."

- Ewan Fernie—<i>Shakespeare Quarterly</i>,

Rather than see love as a natural form of affection, Love As Human Freedom sees love as a practice that changes over time through which new social realities are brought into being. Love brings about, and helps us to explain, immense social-historical shifts—from the rise of feminism and the emergence of bourgeois family life, to the struggles for abortion rights and birth control and the erosion of a gender-based division of labor. Drawing on Hegel, Paul A. Kottman argues that love generates and explains expanded possibilities for freely lived lives. Through keen interpretations of the best known philosophical and literary depictions of its topic—including Shakespeare, Plato, Nietzsche, Ovid, Flaubert, and Tolstoy—his book treats love as a fundamental way that we humans make sense of temporal change, especially the inevitability of death and the propagation of life.
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This book argues that love is a practice through we make sense of fundamental questions–from the propagation of life, to the inevitability of death. Acts of love not only reflect current social values but instead make new social realities, such as feminism or same-sex marriage, come into being and thus help us to explain immense historical shifts.
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Contents and AbstractsPart I: Prologue chapter abstractThis chapter presents an overview of the book's argument and methodology, situating it within broad spheres of inquiry in the human sciences—such as gender studies and anthropology—and in relation to key figures, like Michel Foucault and Judith Butler. It pursues the following questions: (1) How can seeing love as a special kind of practice that changes over time—one that helps us make sense of fundamental puzzles of existence—also help explain immense social-historical transformations, such as the rise of pederasty in the ancient world or the erosion of a gender-based division of labor in our own era? and (2) What methodology is required in order to adequately deal with these questions? The Prologue outlines the kind of account the book seeks to provide, as well as a sketch of the account itself. Part II: Love of the Living and the Dead chapter abstractThere is one temporal change from which no living creature is exempt: death. Thinking about who we really are makes considering individual mortality unavoidable, and hence a necessary place to begin thinking about love as a practice. This chapter argues that love of the dead or 'family love' is one of the earliest forms that loving treatment takes in human cultures, a ritual whereby individuals attain membership in a human community. Transformations in such rituals lead to a crisis in their ability to fully account for how the individual dead one is 'loved,' and that amor in Virgil, Ovid and Shakespeare takes shape as a response to this problem. Romantic love forms as an improvised response to the inability of funerary rites to adequately make sense of the passage from life to death. It offers new interpretations of Orpheus and Eurydice, Pyramus and Thisbe, and Romeo and Juliet. Part III: From the Propagation of Life to Lovemaking chapter abstractWhereas the previous chapter focuses on death, this final chapter considers the puzzle of human reproduction. It offers a philosophical-anthropological reconstruction of how our ancient ancestors must have made sense of sexual reproduction, through an interpretation of Genesis, Aristotle and other texts. It then shows, through a reading of Plato and others, how this 'sexual self-education' produced gender-based divisions and institutionalized sexual practices: a gender-based division of labor and regimes of sexual domination. Through a reading of courtly love and Shakespeare's Othello, this chapter shows how this regime of domination came into a crisis—one which led directly to some of the most significant socio-historical transformations of the modern era: birth control for individuals, abortion rights, feminism, and the erosion of a gender-based division of labor, among others. It offers new interpretations of classics by Richardson, Flaubert, Tolstoy, Annie Proulx and others.
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"Love As Human Freedom proposes theses that are breathtaking in their sweep. We have here a kind of philosophical-historical cultural anthropology that is very clear, often elegant, and quite direct in proposing its ambitious claims, with brilliant discussions that are deeply felt and finely argued. Paul Kottman engages with every conceivable interlocutor on his subjects, and his scholarship is world-class, just superb."
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Produktdetaljer

ISBN
9780804776769
Publisert
2017-05-30
Utgiver
Vendor
Stanford University Press
Høyde
229 mm
Bredde
152 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Innbundet

Forfatter

Om bidragsyterne

Paul A. Kottman is Associate Professor of Comparative Literature at the New School for Social Research. He is the author of A Politics of the Scene (Stanford, 2007) and the editor of Philosophers on Shakespeare (Stanford, 2009).