Matthew Fuller has composed a revelatory and brilliantly original book. This richly insightful and multifaceted work will be indispensable reading for anyone concerned with the increasingly urgent problem of sleep.

- Jonathan Crary, Meyer Schapiro Professor of Modern Art and Theory, Columbia University, USA,

Where do you fall when you fall asleep? Out of consciousness and into a state of quasi-death, or into an unconscious form of activity? Do you withdraw from the world or get projected upon it differently? Who is the subject of sleep? Like love, sleep makes us creative and vulnerable at the same time. It is a democratic state, yet inaccessible to phenomenological accounts: it does not even make sense to state: “I am asleep”, and yet sleep deprivation is torture. Arguing passionately that sleep is both our posthuman, animal core and a form of power, this original volume performs a series of sleep acts, ranging from insomnia, apnea, narcolepsy, to sleep-walking, doziness, cataplexy and plain not wanting to wake up. In a brilliant combination of aphorisms, meditations, snippets of self-help and shreds of critical analysis, the book explores the bio-politics of sleep, as well as its social, psychological and aesthetic aspects. This is Matthew Fuller at his best: witty, theoretically sharp and thoroughly enjoying his inimitable flair for paradoxes.

- Rosi Braidotti, Distinguished University Professor and founding Director of the Centre for the Humanities at Utrecht University, The Netherlands,

Sleep is quite a popular activity, indeed most humans spend around a third of their lives asleep. However, cultural, political, or aesthetic thought tends to remain concerned with the interpretation and actions of those who are awake. How to Sleep argues instead that sleep is a complex vital phenomena with a dynamic aesthetic and biological consistency. Arguing through examples drawn from contemporary, modern and renaissance art; from literature; film and computational media, and bringing these into relation with the history and findings of sleep science, this book argues for a new interplay between biology and culture. Meditations on sex, exhaustion, drugs, hormones and scientific instruments all play their part in this wide-ranging exposition of sleep as an ecology of interacting processes. How to Sleep builds on the interlocking of theory, experience and experiment so that the text itself is a lively articulation of bodies, organs and the aesthetic systems that interact with them. This book won't enhance your sleeping skills, but will give you something surprising to think about whilst being ostensibly awake.
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preface acknowledgements 1. How to Sleep 2. Without Thinking 3. Dormant 4. I Don't Want to be Awake 5. The Domestic Architecture of the Skull 6. Heroes of Sleep 7. Too Much Dream 8. Mediating 8. Sleep Acts 9. Repulsive Sleep 10. Ingredients of Sleep 11. Sleep Gltiches 12. Body Parts 13. Be Unconscious 14. The Luxuriance of Dissolving 15. Free-Running 16. Sleep in Love 17. Vulnerable 18. Hyperpassivity 19. The Eye Busy Unseeing 20. How to Thrive Biologically 21. Repetition 22. Architecture 23. Laws Governing Sleep 24. Film Sleep 25. Man Controls the Day.But We Will Control the Night 26. Headless Brim 27. Trains and Buses 28. The Smell of Sleep 29. The Child's Bed 30. Brain as Labourer 31. Melnikov’s Promethean Sleepers 32. Sleep on the Road 33. Terraforming 34. Dozy-looking 35. Nocturne 36. Waking Up 37. Equipment 38. Sleep Upright In Order to Avoid Death 39. Animal Sleep 40. Wrap Up Warm bibliography index
Les mer
Matthew Fuller has composed a revelatory and brilliantly original book. This richly insightful and multifaceted work will be indispensable reading for anyone concerned with the increasingly urgent problem of sleep.
Les mer
A novel and provocative exploration of how and why we sleep bringing together biology, art, and cultural theory.
Makes the original argument that sleeping is at least as philosophically important, if not more so, than being awake
Lines of flight, lines of code, lines of text, lines of thought, lines of paint, lines of powder, lines of conflict, lines of alliance, lines of connection… Lines is a series of intensely written books linking the broad field of contemporary theory to the large-scale phenomena of today. Lines engages work which emerges from post-disciplinary interstices of critical and speculative thinking: treating conceptual mobility, disciplinary undecidability and aesthetic and formal imagination as critical and investigative strengths. The series includes books by: Ted Byfield Matthew Fuller Félix Guattari Michel Serres Isabelle Stengers Series editors: Matthew Fuller and Andrew Goffey
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Produktdetaljer

ISBN
9781474288705
Publisert
2018-01-25
Utgiver
Vendor
Bloomsbury Academic
Vekt
231 gr
Høyde
216 mm
Bredde
138 mm
Aldersnivå
U, 05
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
192

Forfatter

Om bidragsyterne

Matthew Fuller is Professor of Cultural Studies, Goldsmiths, University of London, UK. He is co-author of Evil Media (2012), Editor of Software Studies: a Lexicon (2008) and co-editor of the journal Computational Culture.