Acknowledgements One Minus Six An Even Earlier Time: Nature Two Reality as Simulacrum The First Big Lie Magical and Mythical Thinking God the Deceiver The Lies of the Church The Lies of Atheism The Formation of Societies Espionage and Counterespionage Political Lies Business and Economics A Brief History of Forgery Art as Fabrication Literature as Fabrication The Masters of Scepticism The Lies of Science The Present, Hyperreality and Post-Truth Love Death So, What Is There? Bibliography

"What is lying, how does it work, where does it come from, and why is it an integral and perhaps necessary part of human life? In A History of Lying, Juan Jacinto Muñoz-Rengel takes us on a dazzling journey through all different kinds of deception and falsehood, from their probable evolutionary origins to fake news in the modern day, carefully observing their effects on social life, family and love, politics, literature and art. An addictive, erudite essay that reads like a work of fiction."Jorge Volpi "He has the potential to become one of the most important writers of his generation."Irene Andres-Suárez, University of Neuchâtel, Switzerland "My candidate for the book of the year."Pablo Bujalance, Grupo Joly“I was dazzled and exhilarated by this playful philosophical tour-de-force”Sydney Morning Herald"revelatory: we lie, yes, but often we do it to help each other. Muñoz-Rengel convincingly shows us that falseness 'is the clearest sign of intelligence', and should be appreciated as a tool for enabling people to understand reality."New Statesman“provoking, entertaining and surprising […] a frothy, glittering meditation on the nature of human being” Antonella Gambotto-Burke, The Australian“[Munoz-Rengel’s] fierce allegiance to the idea that the origins of lying reside in any detachment from reality brings to mind the idea of not lying as an active pursuit, which takes the form of a constant sifting through the details of life, and a simultaneous attempt to articulate them as clearly as possible—something akin to producing art.” The New Yorker“lively and distinctive”Philosophy Now