1. Introduction: After Lyotard Margret Grebowicz I. The Human 2. On Promising and Destructive Monsters: Reading Lyotard’s “She” Margret Grebowicz and Emily Zakin 3. I Ain’t Got No Body: Lyotard and Le Genre of Posthumanism Neil Badmington II. The Body 4. Incisive Bodies: Lolo, Lyotard, and the Exorbitant Law of Listening to the Inaudible Nikki Sullivan 5. Lyotard’s Writing the Body: A Feminist Approach? Charmaine Coyle III. The Eye-Mind 6. Scenes From a Marriage: Lyotard, Pinter, and the Theater of Gender Kellie Bean 7. Lyotard, Chadwick, and the Logic of Dissimulation Rachel Jones IV. The Psyche 8. Lyotard and Eurydice: The Anamnesis of the Feminine Dorota Glowacka 9. “The Film-Work Does Not Think”: Refiguring Fantasy for Feminist Film Theory Theresa Geller V. The Sublime 10. “Nourished . . . on the Irremediable Differend of Gender”: Lyotard’s Sublime Joanna Zylinska 11. Differend, Sexual Difference, and the Sublime: Lyotard, Irigaray, Duras Andrew Slade VI. Dissensus and Division 12. Feminist Science Studies after Lyotard: Dissensus, Knowledge, and Responsibility Margret Grebowicz 13. Lyotard, the Colonial Condition, and Gender Rada Ivekovic Afterword    On Mobled Power James Williams Selected Bibliography About the Contributors Index

"Ranging from politics to epistemology, from the theories of embodiment and aesthetics to colonialism, Gender after Lyotard stages a much-needed feminist engagement with diverse aspects of Lyotard's work. I am especially impressed by the comprehensive scope of this well-thought-out volume: it makes an important contribution to feminist theory and Lyotard studies alike." — Ewa PÂonowska Ziarek, author of An Ethics of Dissensus: Postmodernity, Feminism, and the Politics of Radical Democracy"Marked by sensitivity to what Lyotard was about, this collection is the first to address Lyotard and gender." — Dawne McCance, author of Medusa's Ear: University Foundings from Kant to Chora L