A compelling study that will leave an enduring mark on film and media studies.

Tom Conley, Harvard University, USA

A remarkable and beautiful book which, with immense elegance, sets aside the difficulties of film theory to recreate a liberating, critical and poetic history of cinema.

Adrian Rifkin, Professor of Visual Culture Media, Middlesex University, UK, and Editor of the Art History journal

An important exploration of the tensions, ruptures and continuities that complicate the twists and folds of the history of cinema.

Geoffrey Whitehall, Theory & Event

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What really sets the book apart is Ranciere's gifts as a writer and fine-grain critic... The wide-ranging analyses emerge out of a truly intimate knowledge of the films, expressed with loving attention to the most minute of formal details--a hesitant gesture, a recurring sound, a glimmer of light. Like all the best books by philosophers on cinema, Ranciere encourages us at once to think and to see these images anew.

Paul Fileri in Film Comment

In Film Fables Jacques Ranciere turns his critical eye to the history of modern cinema. Combining an extraordinary breadth of analysis with an attentiveness to detail born from an obvious love of cinema, Ranciere shows us new ways of looking at and interpreting film. His analysis moves effortlessly from Eisenstein's and Murnau's transition from theatre to film to Fritz Lang's confrontation with television, from the classical poetics of Mann's Westerns to Ray's romantic poetics of the image, from Rossellini's neo-realism to Deleuze's philosophy of the cinema. The book also includes extended commentaries on the work of Hitchcock, Godard, Vertov and Bergman. Film Fables is essential reading for anyone wanting to gain a better understanding of the power and complexity of the cinematic form and it’s rich history.
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Translator's PrefacePrologue: A Thwarted Fable Part I: FABLES OF THE VISIBLEBetween the age of the theater and the television age1. Eisenstein's Madness2. A Silent Tartuffe3. From One Manhunt to Another: Fritz Lang Between Two Ages4. The Child DirectorPart II: CLASSICAL NARRATIVE, ROMANTIC NARRATIVE5. Some Things To Do: The Poetics of Anthony Mann6. The Missing Shot: The Poetics of Nicholas Ray Part III: IF THERE IS A CINEMATOGRAPHIC MODERNITY7. From One Image to Another? Deleuze and the Ages of Cinema8. Falling Bodies: Rossellini's Physics9. The Red of La Chinoise: Godard's PoliticsPart IV: FABLES OF THE CINEMA, (HI)STORIES OF A CENTURY10. Documentary Fiction: Marker and the Fiction of Memory 11. A Fable Without a Moral: Godard, Cinema, (Hi)storiesIndex
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A compelling study that will leave an enduring mark on film and media studies.
The renowned French philosopher Jacques Ranciere turns his critical eye to the history of modern cinema.
Ranciere is a leading continental philosopher with a large and growing following
Bringing together books and thinkers that have opened up startling new ways of looking at the world, the Bloomsbury Revelations series celebrates the originality and excellence of Bloomsbury Academic's non-fiction publishing. Including books by the likes of Carol Adams, Winston Churchill, Slavoj Zizek, Ferdinand de Saussure, Ronald Dworkin, Constantin Stanislavski, Susan Strange and Gilles Deleuze, this is an essential library of the thinkers who have fundamentally shaped the way we see the modern world.
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Produktdetaljer

ISBN
9781474270809
Publisert
2016-02-25
Utgiver
Vendor
Bloomsbury Academic
Vekt
281 gr
Høyde
216 mm
Bredde
138 mm
Aldersnivå
U, 05
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
208

Forfatter

Om bidragsyterne

Jacques Rancière taught at the University of Paris VIII, France, from 1969 to 2000, occupying the Chair of Aesthetics and Politics from 1990 until his retirement.