Introduction 1. Sensing Space: Art and the Public Sphere 2. The Work of Art 3. The Encroachment of Others 4. Tensions of Law: Tragedy and the Visibility of Lives 5. Comedy in the Dark: Arendt, Chaplin, and Anti-Semitism Notes Bibliography Index

Cecilia Sjoholm provides an original and provocative reinterpretation of the difficult and controversial philosophical issues in Hannah Arendt's studies, such as embodiment, realness, appearance, judgment, and the role of sense experience. Doing Aesthetics with Arendt is written with admirable clarity, elegance, and a sense of its own unique voice. -- Ewa Plonowska Ziarek, author of Feminist Aesthetics and the Politics of Modernism In addition to filling a significant hole in existing scholarship, Doing Aesthetics with Arendt performs a powerful double gesture with far-reaching consequences. The double entendre of the title means both cultivating an account of aesthetics in which there appeared to be none and, perhaps more fundamentally, transforming the aesthetic apertures that pre-conceptually determine how a body of work appears. Cecilia Sjoholm has truly done what appeared impossible by doing aesthetics with Arendt. -- Gabriel Rockhill, author of Radical History and the Politics of Art With its insistent references to the spaces of appearances and new beginnings, to judgment and narrative, and to perspectives and plurality, Hannah Arendt's philosophy is thoroughly and emphatically structured by aesthetic categories, which no reader could have failed to notice. Bringing these categories-and some new ones: the sense of 'realness' and the 'sounding' of the language of love-into orderly, pointed, and illuminating focus, Cecilia Sjoholm has compellingly and beautifully constructed for us Arendt's unwritten aesthetics. By allowing Arendt's aesthetic doctrine to so perspicuously come into view, Sjoholm has placed us all in her debt. -- J. M. Bernstein, New School for Social Research

Cecilia Sjoholm reads Hannah Arendt as a philosopher of the senses, grappling with questions of vision, hearing, and touch even in her political work. Constructing an Arendtian theory of aesthetics from the philosopher's fragmentary writings on art and perception, Sjoholm begins a vibrant new chapter in Arendt scholarship that expands her relevance for contemporary philosophers.