Jean-Luc Nancy's On the Commerce of Thinking concerns the particular communication of thoughts that takes place by means of the business of writing, producing, and selling books. His reflection is born out of his relation to the bookstore, in the first place his neighborhood one, but beyond that any such "perfumery, rotisserie, patisserie," as he calls them, dispensaries "of scents and flavors through which something like a fragrance or bouquet of the book is divined, presumed, sensed." On the Commerce of Thinking is thus not only something of a semiology of the specific cultural practice that begins with the unique character of the writer's voice and culminates in a customer crossing the bookstore threshold, package under arm, on the way home to a comfortable chair, but also an understated yet persuasive plea in favor of an endangered species. In evoking the peddler who, in times past, plied the streets with books and pamphlets literally hanging off him, Nancy emphasizes the sensuality of this commerce and reminds us that this form of consumerism is like no other, one that ends in an experience-reading-that is the beginning of a limitless dispersion, metamorphosis, and dissemination of ideas. Making, selling, and buying books has all the elements of the exchange economy that Marx analyzed--from commodification to fetishism--yet each book retains throughout an absolute and unique value, that of its subject. With reading, it gets repeatedly reprinted and rebound. For Nancy, the book thus functions only if it remains at the same time open and shut, like some Moebius strip. Closed, it represents the Idea and takes its place in a canon by means of its monumental form and the title and author's name displayed on its spine. But it also opens itself to us, indeed consents to being shaken to its core, in being read each time anew.
Les mer
Celebrates the particular communication of thoughts that takes place by means of the business of writing, producing, and selling books. This book features a semiology of the cultural practice that begins with the character of the writer's voice and culminates in a customer's crossing the bookstore threshold, package under arm, on the way home.
Les mer
"Delights the mind with its turns of phrase, its creative reinterpretations of ordinary concepts, and its remarkable rigor." -- -Sander van Maas Utrecht University and University of Amsterdam "More than an eloge to books and bookstores, or to the book or the bookstore, Jean-Luc Nancy's evocative essay reminds us of the crucial link between reading and politics that keeps open the possibility of enlightenment. Nancy touches suggestively on the book as what Stephane Mallarme called 'a spiritual instrument,' illuminating the epochal philosophical and religious developments for which books have been the indispensable material support. Nancy's book contains the philosophical weight and literary flair that has made him one of the most important thinkers of the late twentieth and early twenty-first centuries. As David Wills helpfully points out in the preface to his excellent translation, Nancy's thoughts on books and bookstores extend his reflection on the possibility of the truly singular plurality of community." -- -Kevin McLaughlin Brown University "Opening this little 'Aleph' of a book is a most extraordinary adventure; the universe and how we know it unfolds in startling profundity. I thought I knew what a book was until I read this, but Nancy has set me off again in search of the million things a book can be." -- -Lewis Buzbee author of The Yellow-Lighted Bookshop
Les mer
Delights the mind with its turns of phrase, its creative reinterpretations of ordinary concepts, and its remarkable rigor.---—Sander van Maas, Utrecht University and University of Amsterdam

Produktdetaljer

ISBN
9780823230372
Publisert
2009-06-15
Utgiver
Vendor
Fordham University Press
Høyde
191 mm
Bredde
127 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
84

Forfatter
Oversetter

Om bidragsyterne

Jean-Luc Nancy (1940–2021) was Distinguished Professor of Philosophy at the Université de Strasbourg and one of the late twentieth and early twenty-first century’s foremost thinkers of politics, art, and the body. His wide-ranging thought runs through many books, including Being Singular Plural, The Ground of the Image, Corpus, The Disavowed Community, and Sexistence. His book The Intruder was adapted into an acclaimed film by Claire Denis. David Wills is Professor of French Studies and Comparative Literature at Brown University. His major work, on the originary technicity of the human, is developed in three books: Prosthesis (Stanford, 1995), Dorsality (Minnesota, 2008), and Inanimation (Minnesota, 2016). He has translated various works by Jacques Derrida, including the forthcoming Theory and Practice (Chicago, 2018).