A superb attempt to think cinema as a matter of life and death, this state-of-the-art collection draws on the philosophy of Giorgio Agamben to cast new light on the movement of images and on the various kinds of cuts that are made in their flow. The human gesture as captured by cinema becomes here a site of potentiality: a breach of the aesthetic, a differentiation from within and hence an opening to the ethico-political.

- Joanna Zylinska, Professor of New Media and Communications, Goldsmiths, University of London, UK,

A crucial, timely intervention in studies of film, philosophy and the work of Giorgio Agamben, this volume explores with insight and acuity the intersections of bioethics, politics, and technologies of the moving image. An essential tool for scholars of film and media theory and philosophy, it combines cutting-edge research with two previously untranslated essays by Agamben. Unpicking the mediality of media, with its fractured histories and disseminated ethical futures, <i>Cinema and Agamben</i> represents a brilliant new milestone in this emerging field.

- Jenny Chamarette, Lecturer in Film Studies, Queen Mary, University of London, UK,

Cinema and Agamben brings together a group of established scholars of film and visual culture to explore the nexus between the moving image and the influential work of Italian philosopher Giorgio Agamben. Including two original texts by Agamben himself, published here for the first time in English translation, these essays facilitate a unique multidisciplinary conversation that fundamentally rethinks the theory and praxis of cinema. In their resourceful analyses of the work of artists such as David Claerbout, Jean-Luc Godard, Philippe Grandrieux, Michael Haneke, Jean Rouch, and others, the authors put to use a range of key concepts from Agamben's rich body of work, like biopolitics, de-creation, gesture, potentiality and profanation. Sustaining the eminently interdisciplinary scope of Agamben's writing, the essays all bespeak the importance of Agamben's thought for forging new beginnings in film theory and for remedying the elegiac proclamations of the death of cinema so characteristic of the current moment.
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List of Illustrations AcknowledgementsIntroduction: Giorgio Agamben and the Shape of Cinema to Come, Asbjørn Grønstad & Henrik GustafssonFor an Ethics of the Cinema, Giorgio AgambenCinema and History: On Jean-Luc Godard, Giorgio AgambenChapter 1. Silence, Gesture, Revelation: The Ethics and Aesthetics of Montage in Godard and Agamben, James S. WilliamsChapter 2. Passion, Agamben and the Gestures of Work, Libby SaxtonChapter 3. Gesture, Time, Movement: David Claerbout meets Giorgio Agamben on the Boulevard du Temple, Janet HarbordChapter 4. Film-of-Life: Agamben’s Profanation of the Image, Benjamin NoysChapter 5. Biopolitics of Gesture: Cinema and the Neurological Body, Pasi VäliahoChapter 6. Propositions for a Gestural Cinema: On ‘Ciné-Trances’ and Jean Rouch’s Ritual Documentaries, João Mário GriloChapter 7. Engaging Hand to Hand with the Moving Image: Serra, Viola and Grandrieux’s Radical Gestures, Silvia CasiniChaoter 8. Counterfactual, Potential, Virtual: Toward a Philosophical Cinematics, Garrett StewartChapter 9. Montage and the Dark Margin of the Archive, Trond LundemoChapter 10. Remnants of Palestine, or, Archeology after Auschwitz, Henrik GustafssonNOTES ON CONTRIBUTORSINDEX
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Through the influential work of Italian philosopher Giorgio Agamben, these essays facilitate a unique multidisciplinary conversation that fundamentally rethinks the theory and praxis of cinema.
The first work to engage key aspects of Agamben's thought as they relate to cinema

Produktdetaljer

ISBN
9781501308598
Publisert
2015-08-27
Utgiver
Vendor
Bloomsbury Academic USA
Vekt
354 gr
Høyde
229 mm
Bredde
152 mm
Aldersnivå
P, U, 06, 05
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
264

Om bidragsyterne

Henrik Gustafsson is a postdoctoral fellow at the Department of Culture and Literature, University of Tromsø, Norway and a member of the Nomadikon Centre of Visual Culture. He is the author of Out of Site: Landscape and Cultural Reflexivity in New Hollywood Cinema, 1969-1974 (2008) and the editor (together with Asbjørn Grønstad) of Ethics and Images of Pain (2012).

Asbjørn Grønstad is Professor of Visual Culture in the Department of Information Science and Media Studies, University of Bergen, Norway, where he is also the director of the Nomadikon Center for Visual Culture. His most recent books are Ethics and Images of Pain (co-edited with Henrik Gustafsson, 2012) and Screening the Unwatchable: Spaces of Negation in Post-Millennial Art Cinema (2011).