“In an argument both elegant and urgent, Achille Mbembe focuses our attention on the African continent, which is not only where the forms of domination and deprivation that increasingly affect the entire globe are most fully deployed but also where the forms of reparation necessary for a future world can be glimpsed.”

- Michael Hardt, author of, The Subversive Seventies

“This is a fantastic translation of a vital text. The poetry, intensity, complexity, and subtlety that we have come to expect from Achille Mbembe’s work are all here in <i>Brutalism</i>.”

- Laurent Dubois, translator of, Critique of Black Reason

"<i>Brutalism</i> offers some experimental analyses but is, on the whole, something quite different: a poetico-political vision, or a 'panoramic fresco,' as he promises in the introduction: a suggestive image painted in broad strokes of dark, vital, earthy colours—and accents of hopeful green."<br />  

- Anders Dunker, Modern Times Review

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"This book will be of interest to those working in Africana thought, global development, political theory, and philosophy and, more particularly, to anyone with an interest in ecology, migration, or innovations in technology. Highly recommended. Advanced undergraduates through faculty."

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<p>“Mbembe writes rhapsodic, delirious, poetic prose to make difficult, unassailable arguments in this book.”</p>

- Atreyee Majumder, Philosophy in Review

“Achille Mbembe’s <i>Brutalism</i> is a thought-provoking and timely work that challenges readers to rethink the future of humanity in the face of rampant capitalism and technological advancement. Its relevance extends beyond academic circles, offering valuable insights for policymakers, activists, and anyone interested in the intersections of technology, ecology, and social justice. Mbembe’s vision for a new planetary consciousness, rooted in solidarity and repair, is not just an intellectual exercise but a practical call for transformative action.”<br />  

- Adeniyi Awoyemi, African Affairs

In Brutalism, eminent social and critical theorist Achille Mbembe invokes the architectural aesthetic of brutalism to describe our moment, caught up in the pathos of demolition and production on a planetary scale. Just as brutalist architecture creates an affect of overwhelming weight and destruction, Mbembe contends that contemporary capitalism crushes and dominates all spheres of existence. In our digital, technologically focused era, capitalism has produced a becoming-artificial of humanity and the becoming-human of machines. This blurring of the natural and artificial presents a planetary existential threat in which contemporary society’s goal is to precipitate the mutation of the human species into a condition that is at once plastic and synthetic. Mbembe argues that Afro-diasporic thought presents the only solution for breaking the totalizing logic of contemporary capitalism: repairing that which is broken, developing a new planetary consciousness, and reforming a community of humans in solidarity with all living things.
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Achille Mbembe invokes the architectural aesthetic of brutalism to describe our moment, caught up in the pathos of demolition and production on a planetary scale, arguing that the solution is to develop a new planetary consciousness and a community of humans in solidarity with all living things.
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Preface  xi
Acknowledgments  xvii
Introduction  1
1. Universal Domination  9
2. Fracturing  27
3. Animism and Viscerality  40
4. Virilism  58
5. Border-Bodies  78
6. Circulations  91
7. The Community of Captives  105
8. Potential Humanity and the Politics of the Living  125
Conclusion  147
Notes  151
Index  179
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Produktdetaljer

ISBN
9781478025580
Publisert
2024-01-09
Utgiver
Vendor
Duke University Press
Vekt
295 gr
Høyde
229 mm
Bredde
152 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Heftet

Forfatter

Om bidragsyterne

Achille Mbembe is Research Professor in History and Politics at the Wits Institute for Social and Economic Research, University of the Witwatersrand, Johannesburg. He is author of Necropolitics and Critique of Black Reason and coeditor of Johannesburg: The Elusive Metropolis, all also published by Duke University Press.