Biological accounts of art typically start with evolutionary, psychological or neurobiological theories. These approaches might be able to explain many of the similarities we see in art behaviors within and across human populations, but they don't obviously explain the differences we also see. Nor do they give us guidance on how we should engage with art, or the conceptual basis for art. A more comprehensive framework, based also on the ecology of art and how art behaviors get expressed in engineered niches, can help us better understand the full range of art behaviors, their normativity and conceptual basis.
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1. What is art?; 2. Naturalism and its discontents; 3. The evolutionary framework; 4. The psychology and neurobiology of art; 5. The ecology of art; 6. Conclusion.
'Like Biological Classification before it, I find The Biology of Art definitive; it is fundamental, original, and written with superb clarity. This is the work to go to for a source and basic review of importance in consilience and the creative arts generally.' Edward O. Wilson, Harvard University
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Challenges traditional evolutionary, psychological and neurobiological theories by using the ecology of art to explore art behaviors.
Produktdetaljer
ISBN
9781108727846
Publisert
2019-05-23
Utgiver
Vendor
Cambridge University Press
Vekt
200 gr
Høyde
152 mm
Bredde
229 mm
Dybde
5 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
75
Forfatter