Michael Arbib presents When Brains Meet Buildings as an invitation to the science behind architecture, richly illustrated with buildings both famous and domestic. As he converses with the reader, he presents action-oriented perception, memory, and imagination as well as atmosphere, aesthetics, and emotion as keys to analyzing the experience and design of architecture.

Preface Acknowledgments Chapter 1. Brains in Bodies in the - Social, Built and Natural - Environment 1.1. Linking Physical and Mental and Construction 1.2. Framing the AN Conversation 1.3. How Brains Meet Buildings 1.4 The Many Levels of the Brain 1.5. A Key Debate: Is Neuroscience Relevant to Architecture? Chapter 2. An Action-Oriented Perspective on Space and Affordances 2.1. In an Art Gallery: From Wayfinding to Contemplation 2.2. Affordances and Effectivities 2.3. The Thinking Hand 2.4. The Thinking Hand and Its Schemas 2.5. Schemas: Up to Society; Down to Neurons 2.6. The Thinking Hand and Its Brain 2.7. Design in Architecture and in Brain Modeling Chapter 3. A Look at Vision, and a Touch More 3.1. Engineering and Architectural Aesthetics 3.2. Neural Circuits for Vision 3.3. Learning and Memory 3.4. VISIONS: Scene Perception as a Form of Construction 3.5. Aesthetic Judgement of Visual Form 3.6. Schemas Within and Beyond Vision Chapter 4. Atmosphere, Affordances, and Emotion 4.1. Atmosphere Exemplified 4.2. Motivation, Emotion, and Brains 4.3. Atmosphere as a Non-Gibsonian Affordance 4.4. The Evocation of Atmosphere in Paintings 4.5. Seeking Neural Correlates of Environments Inducing Contemplative States 4.6. Experiences of Ultimacy Chapter 5. From Empathy to Mirror Neurons and Back to Aesthetics 5.1. Empathy and Einfühlung in Life, Architecture and Art 5.2. Mirror Neurons and Their Larger Setting 5.3. How Neural Nets Enable Us to Learn and Remember 5.4. Modeling How Mirror Neurons Learn and Function 5.5. Empathy and the Brain 5.6. Einfühlung and the Motor Component of Contemplation 5.7. Neuroaesthetics Revisited, and More Chapter 6. From Libraries to Wayfinding, Waylosing, and Symbolism 6.1. Libraries 6.2. A Cognitive Account of Wayfinding 6.3. It Takes More Than a Hippocampus to Build a Cognitive Map 6.4. Symbolism and Symbols Chapter 7. When Buildings Have "Brains" 7.1. Machines for Living In, Revisited 7.2. Can Architecture Be Smart, Can Intelligence Be Artificial? 7.3. The Interactive Space Ada 7.4. Neuromorphic Architecture: Neural and Physical Spaces for Buildings 7.5. Community & Biophilia 7.6. Where Might Neuromorphic Architecture Lead Us? Chapter 8. Evolving the Architecture-Ready Brain 8.1. Introducing the X-Ready Brain 8.2. From Mirror Systems to Complex Imitation, Pantomime and Pedagogy 8.3. From Pantomime to Protolanguages and On to Languages 8.4. The Language-Ready Brain is Also Construction-Ready and Drawing-Ready 8.5. The Neuropsychology of Drawing 8.6. Is Architecture a Language for the Architecture-Ready Brain? Chapter 9. Experience and Design: Case Studies 9.1. Imagination and Design: Our Initial Framework 9.2. Jørn Utzon's Experience and Design: The Sydney Opera House 9.3. Sketching and Model-Making: Frank Gehry's Bilbao Guggenheim Chapter 10. Experience and Design: Bringing in the Brain 10.1. Towards IBSEN: Modeling Imagination in Brain Systems for Episodes and Navigation 10.2. Multi-Modal Perception Within the Action-Perception Cycle 10.3. Linking Memory and Imagination: The Hippocampus and More 10.4. From Scripts to Cognitive Maps to Buildings 10.5. And So We Come to the End Which is a Beginning About the Author

"Arbib covers brains and the environment, perspective on space, learning and memory, emotion, wayfinding, the architecture-ready brain, buildings with brains, and experience and design." -- L. B. Allsopp, CHOICE "For couple of decades there has been an attraction between neuroscience and architecture. However, the real interactions between the two disciplines have rarely been presented or discussed. Due to the internal complexities of architecture and its dialogical relation with life, the largely preconscious and embodied intuitions of the creative mind tend to escape scientific definition. Michael Arbib's exceptionally wide scientific background, combined with his deep interest in the arts and architecture, makes him well equipped to cross this gap. His current book is a devoted study of the neural basis of architecture and the applicability of this knowledge in the design of buildings, especially intelligent buildings, which are deliberately conceived as extensions of our neural capacities." - Juhani Pallasmaa, Architect HonSAFA, HonFAIA, IntFRIBA, Academician, International Academy of Architecture, Professor emeritus (Aalto University, Helsinki) "This book is one of the most valuable contributions, from a neuroscientific perspective, of the interplay between the architectural environment and human beings."- Davide Ruzzon, architect, Director and Founder of Neuroscience Applied to Architectural Design, NAAD Postgraduate Course, at the University Iuav Venice and POLI Design Milan

Selling point: Offers architects new insights based on cognitive science and neuroscience. Selling point: Offers cog/neuroscientists challenges for a new translational science Selling point: The cog/neuro is fully explained for the architect; the architectural examples are fully explained for the scientist