<p>"... beautifully illustrated sequence of essays.... It is philosophical, emotional and, unusually for architectural theory, as clear as a building made of glass." (<em>The Guardian,</em> August 1st 2009) </p><p>"The Thinking Hand is a superb piece of writing. A primer not just for architecture, but for life." (<em>Blueprint,</em> July 2009) </p>

In our current global networked culture that puts so much emphasis on the virtual and the visual, the mind and the body have become detached and ultimately disconnected. Though physical appearance is idolised for its sexual appeal and its social identity, the role of the body in developing a full understanding of the physical world and the human condition has become neglected. The potential of the human body as a knowing entity – with all our senses as well as our entire bodily functions being structured to produce and maintain silent knowledge together – fails to be recognised. It is only through the unity of mind and body that craftsmanship and artistic work can be fully realised. Even those endeavours that are generally regarded as solely intellectual, such as writing and thinking, depend on this union of mental and manual skills. In The Thinking Hand, Juhani Pallasmaa reveals the miraculous potential of the human hand. He shows how the pencil in the hand of the artist or architect becomes the bridge between the imagining mind and the emerging image. The book surveys the multiple essences of the hand, its biological evolution and its role in the shaping of culture, highlighting how the hand–tool union and eye–hand–mind fusion are essential for dexterity and how ultimately the body and the senses play a crucial role in memory and creative work. Pallasmaa here continues the exploration begun in his classic work The Eyes of the Skin by further investigating the interplay of emotion and imagination, intelligence and making, theory and life, once again redefining the task of art and architecture through well-grounded human truths.
Les mer
In this book Pallasmaa progresses his case for a multi-sensory approach to architecture, espoused in The Eyes of the Skin , by taking a wider view of the role of embodiment in human existential reactions, experiences and expressions as well as the processes of making and thinking.
Les mer
Introduction: Embodied Existence and Sensory Thought 010 Chapter One: The Mysterious Hand 024 The Multiple Essences of the Hand What is the Hand? Hand, Eye, Brain and Language Hand as Symbol Gestures of the Hand Languages of the Hand Chapter Two: The Working Hand 046 The Hand and the Tool The Hand of the Craftsman Collaborative Craftsmanship Architecture as Workmanship Chapter Three: Eye–Hand–Mind Fusion 070 Experimentation and the Art of Play Skill and Boredom Eye, Hand and Mind Chapter Four: The Drawing Hand 088 Drawing and the Self Tactility of Drawing The Computerised Hand Primacy of Touch: Hapticity of Self-image Unconscious Touch in Artistic Experience Chapter Five: Embodied Thinking 106 Creative Fusion The Work of Thinking: The Value of Uncertainty Resistance, Tradition and Freedom Thinking Through the Senses Embodied Memory and Thought Existential Knowledge Chapter Six: Body, Self and Mind 122 The Body as Site The World and the Self The World and the Mind Existential Space in Art Chapter Seven: Emotion and Imagination 130 Reality of Imagination The Gift of Imagination Reality of Art Art and Emotion Artistic Experience as Exchange Chapter Eight: Theory and Life 140 Theory and Making Opposition of Theory and Making Architecture as Image of Life The Task of Art Index 153 Photo credits 159
Les mer
In our current global networked culture that puts so much emphasis on the virtual and the visual, the mind and the body have become detached and ultimately disconnected. Though physical appearance is idolised for its sexual appeal and its social identity, the role of the body in developing a full understanding of the physical world and the human condition has become neglected. The potential of the human body as a knowing entity – with all our senses as well as our entire bodily functions being structured to produce and maintain silent knowledge together – fails to be recognised. It is only through the unity of mind and body that craftsmanship and artistic work can be fully realised. Even those endeavours that are generally regarded as solely intellectual, such as writing and thinking, depend on this union of mental and manual skills. In The Thinking Hand, Juhani Pallasmaa reveals the miraculous potential of the human hand. He shows how the pencil in the hand of the artist or architect becomes the bridge between the imagining mind and the emerging image. The book surveys the multiple essences of the hand, its biological evolution and its role in the shaping of culture, highlighting how the hand–tool union and eye–hand–mind fusion are essential for dexterity and how ultimately the body and the senses play a crucial role in memory and creative work. Pallasmaa here continues the exploration begun in his classic work The Eyes of the Skin by further investigating the interplay of emotion and imagination, intelligence and making, theory and life, once again redefining the task of art and architecture through well-grounded human truths.
Les mer
"... beautifully illustrated sequence of essays.... It is philosophical, emotional and, unusually for architectural theory, as clear as a building made of glass." (The Guardian, August 1st 2009) "The Thinking Hand is a superb piece of writing. A primer not just for architecture, but for life." (Blueprint, July 2009)
Les mer

Produktdetaljer

ISBN
9780470779293
Publisert
2009-03-20
Utgiver
Vendor
John Wiley & Sons Inc
Vekt
272 gr
Høyde
218 mm
Bredde
170 mm
Dybde
13 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
160

Forfatter

Om bidragsyterne

Juhani Pallasmaa is one of Finland’s most distinguished architects and architectural thinkers. His previous positions include: Rector of the Institute of Industrial Arts, Helsinki; Director of the Museum of Finnish Architecture, Helsinki; and Professor and Dean of the Faculty of Architecture, Helsinki University of Technology. He has also held visiting professorships in several universities internationally. Pallasmaa is the author/editor of 24 books, including The Eyes of the Skin: Architecture and the Senses (Academy, 1995 and John Wiley & Sons, 2005), The Architecture of Image: Existential Space in Cinema (Helsinki, 2001) and Encounters (Helsinki, 2005).