While completing the Almannajuvet Zinc Mine Museum in southern Norway in 2016, celebrated Swiss architect Peter Zumthor asked Norwegian scholar Mari Lending to engage in a dialogue about the project. Departing from the ways in which Zumthor's pavilions frame the barely visible traces of the industrial exploitation of zinc in the 1890s, the conversation took unexpected turns. In meandering, impressionistic style and drawing on Zumthor's favourite writers, such as Johann Peter Hebel, Stendhal, Vladimir Nabokov, or T.S. Eliot, their exchanges explore how history, time and temporalities reverberate across the famous architect's oeuvre. Looking back, Zumthor ponders on how a feeling of history has informed his continuous attempts of emotional reconstruction by means of building, from architectural interventions in dramatic landscapes to his design for the redevelopment of Los Angeles' LACMA on a grand urban scale. This small, beautifully designed new book records the conversation between Zumthor and Lending, illustrated with photographs by the renowned Swiss architectural photographer Hélène Binet. Text in French.
Les mer
Peter Zumthor in dialogue with Mari Lending explores how history, time and temporalities reverberate across his oeuvre, a feeling of history has informed his continuous attempts of emotional reconstruction by means of building. Text in French.
Les mer

Produktdetaljer

ISBN
9783858818126
Publisert
2018-05-30
Utgiver
Vendor
Scheidegger und Spiess AG, Verlag
Høyde
195 mm
Bredde
110 mm
Aldersnivå
G, 01
Språk
Product language
Fransk
Format
Product format
Heftet
Antall sider
80

Om bidragsyterne

Peter Zumthor works with his Atelier of around 30 people in Haldenstein, Switzerland. His best known buildings include the Kunsthaus Bregenz, Therme Vals, Museum Kolumba Köln, and the Steilneset Memorial in Vardø. Mari Lending is a professor at the Oslo School of Architecture and Design. Her latest book is Plaster Monuments: Architecture and the Power of Reproduction (2017).