The scope of this volume is such as to encompass every major development during more than a century, from planning for the re-use of an open field to today's political maneuvering. -- Steve Goddard History Wire - Where the Past Comes Alive Collection of essays by a number of Mall-savvy authors fully explores the Mall's past, present and potential future, identifying problems and opportunities. -- Rober K. Lewis Washington Post 2008 The eclectic mix of essays brings together the work of historians, anthropologists, sociologists, poets, planners, and advocates who seek to 'rethink' the past and future of the Natural Mall. The collection offers some intriguing insights. -- Daniel Kerr H-Urban, H-Net Reviews 2008 This publication succeeds admirably in interpreting the Ball for nonexperts and alerting those with responsibility for it to the serious threats it faces. Choice 2009

The National Mall in Washington, D.C., has held an important place in the American psyche since the early nineteenth century. Home to monuments and museums dedicated to the ideals upon which the United States rests, the Mall serves as a gathering place for public protest and celebration. But as the nation ages and the population diversifies, demands for additional structures and uses have sparked debates over the Mall's future and the necessity of preserving its legacy and the vision of its designers. The National Mall addresses these issues with a novel and compelling collection of essays, the work of leading design professionals, historians, and social scientists. Supplemented by eye-catching illustrations and photographs, this cross-disciplinary examination follows the discussion over the Mall's design and use, from its conceptual origins as part of Pierre Charles L'Enfant's vision for the capital to the 1902 McMillan Plan to the present day and beyond. It assesses how architectural, societal, and political changes have altered the park-like space between the Capitol and the Lincoln Memorial and explores the influence that disparate interest groups and creeping corporatism have already had on-and are likely to exert upon-America's public square. The National Mall presents an overarching account of how a democratic society plans, creates, and expands a national ceremonial space, opening the way for a broadly based inquiry into the Mall as it was, is, and will become. Urban planners, architectural and design historians, and engaged citizens will be challenged and well served by the thoughtful essays collected by Nathan Glazer and Cynthia R. Field.
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Field.

Foreword
Introduction
Part I: The Design of the Mall
Chapter 1. The Idea of the American Mall
Chapter 2. American Renaissance: Charles Follen McKim and the Aesthetic Ideal
Chapter 3. When Dignity and Beauty Were the Order of the Day: The Contribution of Daniel H. Burnham
Chapter 4. "A Simple Space of Turf": Frederick Law Olmsted Jr.'s Idea for the Mall
Part II: The Nation's Gathering Place
Chapter 5. The People's Home Ground
Chapter 6. Washington as a Pilgrimage Site
Chapter 7. Culture of, by, and for the People: The Smithsonian Folklife Festival
Part III: Monuments for the Future
Chapter 8. Monuments, Modernism, and the Mall
Chapter 9. Turning Point: The Problematics of Building on the Mall Today
Chapter 10. Planning beyond the Monumental Core
Biographical Notes
A Chronology of the Mall
Notes
Selected Bibliography
List of Contributors
Index

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Produktdetaljer

ISBN
9780801888052
Publisert
2008-09-24
Utgiver
Vendor
Johns Hopkins University Press
Vekt
885 gr
Høyde
254 mm
Bredde
203 mm
Dybde
21 mm
Aldersnivå
UU, UP, 05
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
232

Foreword by

Om bidragsyterne

Nathan Glazer is an emeritus professor of sociology and education at Harvard University. He is the author or editor of many books on public policy and urban problems, among them The Public Face of Architecture and From a Cause to a Style: Modernist Architecture's Encounter with the American City. Cynthia R. Field is the architectural historian emerita at the Smithsonian Institution and a faculty member at the Corcoran College of Art. She is the coauthor of The Castle: An Illustrated History of the Smithsonian Building.