A House in the Sun describes a number of experiments in solar house heating in the 1940s and 1950s. It shows how resource limitations were seen as an opportunity for design to attain new relevance for social and cultural transformations.

Contents Acknowledgments Introduction: Architecture, Technology, and Politics 1. The Modern Solar House 2. What is a House? 3. Discovering Renewable Resources 4. Experimental Dwellings 5. All-Solar Houses 6. The World Solar Energy Project 7. Design and Research 8. Architecture and the Sun Conclusion: Architecture and Environmentalism Notes Bibliography Index

"Barber's insights on solar architecture build upon the classic works on architecture and technology from Giedion, Mumford, and Banham as well as the twentieth-century histories of Ecological Architecture and Building Science. His emphasis on the researchers and practitioners who designed, built, and operated experimental houses shows how solar housing design contributed to new conceptions of culture and society in an era of increasing industrialization and globalization." -- Andrew Karvonen, Technology and Culture "A House in the Sun is a foundational text for a new expanded history of architecture's relationship to environment. In it, both the house and the sun undergo a fascinating series of formal, historical and theoretical phase-shifts, each altering the other's structures of transmission, reflection, absorption and radiation."--Larry Busbea, Journal of Architecture "Barber eloquently reveals how architecture became subservient to larger global forces of managerial politics and how the language of the modern solar house has functioned as a vessel to endow efforts of harnessing clean energy, as opposed to the dirty extraction of fossil fuels....Overall, Barber's richly illustrated book brings an astonishing number of unexplored histories and resources of the early postwar period to light, unwrapping the convoluted ethics of interdisciplinary experimental collaborations that we now effortlessly address as environmental concerns."--Lydia Kallipoliti, Journal of Architectural Education "[E]ngaging and wonderfully illustrated work....A House in the Sun provides a nuanced optimism that such bleak conditions can also be the springboard to action and can reconfigure how architecture sees itself, empowering it as a cultural tool that moderates political, social and environmental impacts."--Daniel J. Ryan, Fabrications "[A] superb account of how a small number of postwar architects struggled with energy and addressed the symbolic and pragmatic challenges of solar houses in the United States....With clarity, breadth, and great detail, Barber articulates the bright prehistory of the transformations of the architect in the solar-house era....A House in the Sun is a robust and generous contribution that will help architects and historians to better conceptualize and situate their practices within the complexity of architecture and energy in the United States."--Kiel Moe, Constructs "The author provides a thorough, in-depth historical study of the rise and fall of solar houses, the key players (ranging from architects to academics) involved, and the extensive innovation and experimentation generated and relayed through exhibitions, publications, and competitions. Detailed black-and-white and color illustrations are strategically placed to enhance the text. A well-researched prequel to any book on mid-century modern or postwar energy policy...Recommended."--CHOICE "A House in the Sun carefully articulates the complex, and often tacit, role of architects in the postwar entanglement of technology, politics, economics, and ecology, especially in the United States...With clarity, breadth, and great detail, Barber articulates the bright prehistory of the transformations of the architect in the solar-house era...A House in the Sun is a robust and generous contribution that will help architects and historians to better conceptualize and situate their practices within the complexity of architecture and energy in the United States."--Kiel Moe, Constructs

Selling point: An engaging history of solar energy experiments during the Cold War, accompanied by 136 visually stunning illustrations in color Selling point: Looks at how architecture has engaged with environmental issues, combining the history of architecture with geopolitical considerations Selling point: Illuminates current debates around energy, architecture, and climate

Daniel A. Barber is an Assistant Professor of Architecture at the University of Pennsylvania, where he teaches the history of modern architecture. He has published articles in Grey Room and Technology and Culture.

Selling point: An engaging history of solar energy experiments during the Cold War, accompanied by 136 visually stunning illustrations in color Selling point: Looks at how architecture has engaged with environmental issues, combining the history of architecture with geopolitical considerations Selling point: Illuminates current debates around energy, architecture, and climate