Hal Foster, author of the acclaimed Design and Crime, argues that a fusion of architecture and art is a defining feature of contemporary culture. He identifies a "global style" of architecture-as practiced by Norman Foster, Richard Rogers and Renzo Piano-analogous to the international style of Le Corbusier, Gropius and Mies.More than any art, today's global style conveys both the dreams and delusions of modernity. Foster demonstrates that a study of the "art-architecture complex" provides invaluable insight into broader social and economic trajectories in urgent need of analysis.
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A leading art theorist analyzes the global style in art and architecture.
Hal Foster's newest contribution to the genre stands alone ... Foster is terrific at unearthing the unintended consequences of our consumer-oriented culture, in particular on those architects who imagine their work as critiques of consumerism
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A leading art theorist analyses the global style in art and architecture

Produktdetaljer

ISBN
9781781681046
Publisert
2013-07-02
Utgiver
Vendor
Verso Books
Vekt
561 gr
Høyde
210 mm
Bredde
140 mm
Dybde
20 mm
Aldersnivå
G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
320

Forfatter

Om bidragsyterne

Hal Foster is the author of numerous books, including The Art-Architecture Complex, The First Pop Age: Painting and Subjectivity in the Art of Hamilton, Lichtenstein, Warhol, Richter, and Ruscha, Bad New Days: Art, Criticism, Emergency, and, with Richard Serra, Conversations about Sculpture. A member of the American Academy of Arts and Sciences, he delivered the 2018 Mellon Lectures at the National Gallery in Washington. He teaches at Princeton University, co-edits the journal October, and contributes regularly to the London Review of Books.