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Cultural Heritage in a Changing World

Borowiecki Karol Jan Forbes Neil Fresa Antonella
Innbundet / 2016 / Engelsk

Produktdetaljer

ISBN
9783319295428
Publisert
2016-05-10
Utgiver
Vendor
Springer International Publishing AG
Høyde
235 mm
Bredde
155 mm
Aldersnivå
Research, P, 06
Språk
Product language
Engelsk
Format
Product format
Innbundet

Redaktør
Borowiecki Karol Jan
Forbes Neil
Fresa Antonella

Om bidragsyterne

Karol Jan Borowiecki is Associate Professor at the Department of Business and Economics at the University of Southern Denmark. He holds a PhD in Economics from Trinity College Dublin and a PhD in Economic History from Lund University. His research focuses primarily on cultural economics and economic history, but much of his work also touches on urban economics (creative clusters) and labor economics (especially the migration of creative people). He has published, among others, in the Review of Economics and Statistics, Journal of Urban Economics, Journal of Cultural Economics, European Review of Economic History and Oxford Economic Papers. He is the recipient of several academic prizes and grants, sits on the executive board of the Association for Cultural Economics International and is co-founder and co-editor of EconomistsTalkArt.org – a platform aimed at the dissemination of research-based policy analysis and commentary by cultural economists.

Neil Forbes is Professor of International History at Coventry University, and Co-ordinator of the FP7 RICHES project - Renewal, Innovation and Change: Heritage and European Society. His research interests and publications lie in the following fields: conflict heritage, contested landscapes and the memorialisation of war; creative archiving and cultural heritage; the processes of financial stabilisation in Europe after the First World War; Anglo-American relations and the rise of the Third Reich; the interaction of foreign policy formulation and diplomacy with the business practices of multinational enterprise during the interwar years. He has played a leading role in a number of EU and UK research projects, including a £1m digitisation project in association with BT and The National Archives.

Antonella Fresa is Director and Administrator of company Promoter Srl, she is an ICT expert and has been working on European cooperation projects since 1994. Since 2002, Technical Coordinator and  Communication Manager of several national and European projects in the domains of digital cultural heritage, smart cities, digital preservation, e-Infrastructures. From 2002 to 2012, advisor of the Italian Ministry of Cultural Heritage and Activities. From 1999 to 2002, Project Officer at the European Commission. Previously, researcher in the industry, and at Olivetti in Pisa, Ivrea and Cupertino (CA, USA). She regularly serves as independent expert for the European Commission and national research programmes. Author of articles about multilingual access to digital cultural Heritage, geo-coded digital cultural content, digital preservation. Enterprise Fellow at Coventry University. Project Manager of Digitalmeetsculture.net, the online communication platform powered by Promoter Srl.

Cultural Heritage in a Changing World

Borowiecki Karol Jan Forbes Neil Fresa Antonella
Innbundet / 2016 / Engelsk
Borowiecki Karol Jan Forbes Neil Fresa Antonella
Innbundet / 2016 / Engelsk
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<p>“Cultural Heritage in a Changing World contributes to deepen and expand the debate about the current evolution of the role of cultural heritage in societies on several directions. … book primarily provides a European perspective to the changes occurring in the cultural heritage domain. … given the pervasive and rapid adoption of digital technologies worldwide, much of the reflections and findings presented in this book can be useful for cultural heritage practitioners and scholars in other parts of the world.” (Enrico Bertacchini, Journal of Cultural Economy, Vol. 41, 2017)</p>“The book gives a comprehensive view on issues of cultural heritage and digital technologies. … the collection does give an excellent illustration of how the digital age has changed cultural heritage and museums, as well as the methods of adapting to these changes. … this book is relatively easy to understand, making it suitable not just for professionals, but also students and enthusiasts of the field.” (Ashika Prajnya Paramita, Humaniora, Vol. 28 (3), October, 2016)<p></p>

The central purpose of this collection of essays is to make a creative addition to the debates surrounding the cultural heritage domain. In the 21st century the world faces epochal changes which affect every part of society, including the arenas in which cultural heritage is made, held, collected, curated, exhibited, or simply exists. The book is about these changes; about the decentring of culture and cultural heritage away from institutional structures towards the individual; about the questions which the advent of digital technologies is demanding that we ask and answer in relation to how we understand, collect and make available Europe’s cultural heritage. Cultural heritage has enormous potential in terms of its contribution to improving the quality of life for people, understanding the past, assisting territorial cohesion, driving economic growth, opening up employment opportunities and supporting wider developments such as improvements in education and in artistic careers. Given that spectrum of possible benefits to society, the range of studies that follow here are intended to be a resource and stimulus to help inform not just professionals in the sector but all those with an interest in cultural heritage.
Les mer
The central purpose of this collection of essays is to make a creative addition to the debates surrounding the cultural heritage domain.
Part I: Context of change.- Cultures and technology. An analysis of the changes currently taking place: the digital and the global dimension and local cultures.- Interdisciplinary collaborations in the creation of digital dance and performance: A critical examination.- Sound archives accessibility.- Technology and public access to cultural heritage: the Italian experience on IT for public historical archives.- Intellectual Property Rights and Photography: an Eternal Golden Braid.- Part II: Mediated and unmediated heritage.- A case study of an inclusive museum. The National Archaeological Museum of Cagliari became “liquid”.- The museum as information space.- The Museum of Gamers.- Part III: Co-creation and living heritage for social cohesion.- Change of museums by change of perspective – Reflecting experiences of museum development in the context of “EuroVision – Museums Exhibiting Europe” (EU Culture Project).- Technologies lead to adaptability and lifelong engagement with culture throughout the cloud.- Urban cultural heritage festivals: a resource for promoting community and territorial cohesion.- Tools you can trust? Co-design in community heritage work.- Crowdsourcing Culture: Challenges to Change.- Part IV: Identity.- The Spanish Republican exile: identity, belonging and memory in a digital way.- Chinese is getting back their own culture and tradition in digital era.
Les mer
The central purpose of this collection of essays is to make a creative addition to the debates surrounding the cultural heritage domain. In the 21st century the world faces epochal changes which affect every part of society, including the arenas in which cultural heritage is made, held, collected, curated, exhibited, or simply exists. The book is about these changes; about the decentring of culture and cultural heritage away from institutional structures towards the individual; about the questions which the advent of digital technologies is demanding that we ask and answer in relation to how we understand, collect and make available Europe’s cultural heritage. Cultural heritage has enormous potential in terms of its contribution to improving the quality of life for people, understanding the past, assisting territorial cohesion, driving economic growth, opening up employment opportunities and supporting wider developments such as improvements in education and in artistic careers. Given that spectrum of possible benefits to society, the range of studies that follow here are intended to be a resource and stimulus to help inform not just professionals in the sector but all those with an interest in cultural heritage.
Les mer
This is an open access book, the electronic versions are freely accessible online.
Unique insights on the future of cultural heritage and digitization Recalibrates the relationship between institutional and individual cultural heritage practices Targets researchers as well as policy makers, funding bodies and managers of cultural heritage institutions
Les mer
Open Access This book is licensed under the terms of the Creative Commons Attribution-NonCommercial 2.5 International License (http://creativecommons.org/licenses/by-nc/2.5/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made. The images or other third party material in this book are included in the book's Creative Commons license, unless indicated otherwise in a credit line to the material. If material is not included in the book's Creative Commons license and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder.
Les mer

Relaterte produkter

<p>“Cultural Heritage in a Changing World contributes to deepen and expand the debate about the current evolution of the role of cultural heritage in societies on several directions. … book primarily provides a European perspective to the changes occurring in the cultural heritage domain. … given the pervasive and rapid adoption of digital technologies worldwide, much of the reflections and findings presented in this book can be useful for cultural heritage practitioners and scholars in other parts of the world.” (Enrico Bertacchini, Journal of Cultural Economy, Vol. 41, 2017)</p>“The book gives a comprehensive view on issues of cultural heritage and digital technologies. … the collection does give an excellent illustration of how the digital age has changed cultural heritage and museums, as well as the methods of adapting to these changes. … this book is relatively easy to understand, making it suitable not just for professionals, but also students and enthusiasts of the field.” (Ashika Prajnya Paramita, Humaniora, Vol. 28 (3), October, 2016)<p></p>

The central purpose of this collection of essays is to make a creative addition to the debates surrounding the cultural heritage domain. In the 21st century the world faces epochal changes which affect every part of society, including the arenas in which cultural heritage is made, held, collected, curated, exhibited, or simply exists. The book is about these changes; about the decentring of culture and cultural heritage away from institutional structures towards the individual; about the questions which the advent of digital technologies is demanding that we ask and answer in relation to how we understand, collect and make available Europe’s cultural heritage. Cultural heritage has enormous potential in terms of its contribution to improving the quality of life for people, understanding the past, assisting territorial cohesion, driving economic growth, opening up employment opportunities and supporting wider developments such as improvements in education and in artistic careers. Given that spectrum of possible benefits to society, the range of studies that follow here are intended to be a resource and stimulus to help inform not just professionals in the sector but all those with an interest in cultural heritage.
Les mer
The central purpose of this collection of essays is to make a creative addition to the debates surrounding the cultural heritage domain.
Part I: Context of change.- Cultures and technology. An analysis of the changes currently taking place: the digital and the global dimension and local cultures.- Interdisciplinary collaborations in the creation of digital dance and performance: A critical examination.- Sound archives accessibility.- Technology and public access to cultural heritage: the Italian experience on IT for public historical archives.- Intellectual Property Rights and Photography: an Eternal Golden Braid.- Part II: Mediated and unmediated heritage.- A case study of an inclusive museum. The National Archaeological Museum of Cagliari became “liquid”.- The museum as information space.- The Museum of Gamers.- Part III: Co-creation and living heritage for social cohesion.- Change of museums by change of perspective – Reflecting experiences of museum development in the context of “EuroVision – Museums Exhibiting Europe” (EU Culture Project).- Technologies lead to adaptability and lifelong engagement with culture throughout the cloud.- Urban cultural heritage festivals: a resource for promoting community and territorial cohesion.- Tools you can trust? Co-design in community heritage work.- Crowdsourcing Culture: Challenges to Change.- Part IV: Identity.- The Spanish Republican exile: identity, belonging and memory in a digital way.- Chinese is getting back their own culture and tradition in digital era.
Les mer
The central purpose of this collection of essays is to make a creative addition to the debates surrounding the cultural heritage domain. In the 21st century the world faces epochal changes which affect every part of society, including the arenas in which cultural heritage is made, held, collected, curated, exhibited, or simply exists. The book is about these changes; about the decentring of culture and cultural heritage away from institutional structures towards the individual; about the questions which the advent of digital technologies is demanding that we ask and answer in relation to how we understand, collect and make available Europe’s cultural heritage. Cultural heritage has enormous potential in terms of its contribution to improving the quality of life for people, understanding the past, assisting territorial cohesion, driving economic growth, opening up employment opportunities and supporting wider developments such as improvements in education and in artistic careers. Given that spectrum of possible benefits to society, the range of studies that follow here are intended to be a resource and stimulus to help inform not just professionals in the sector but all those with an interest in cultural heritage.
Les mer
This is an open access book, the electronic versions are freely accessible online.
Unique insights on the future of cultural heritage and digitization Recalibrates the relationship between institutional and individual cultural heritage practices Targets researchers as well as policy makers, funding bodies and managers of cultural heritage institutions
Les mer
Open Access This book is licensed under the terms of the Creative Commons Attribution-NonCommercial 2.5 International License (http://creativecommons.org/licenses/by-nc/2.5/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made. The images or other third party material in this book are included in the book's Creative Commons license, unless indicated otherwise in a credit line to the material. If material is not included in the book's Creative Commons license and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder.
Les mer

Produktdetaljer

ISBN
9783319295428
Publisert
2016-05-10
Utgiver
Vendor
Springer International Publishing AG
Høyde
235 mm
Bredde
155 mm
Aldersnivå
Research, P, 06
Språk
Product language
Engelsk
Format
Product format
Innbundet

Redaktør
Borowiecki Karol Jan
Forbes Neil
Fresa Antonella

Om bidragsyterne

Karol Jan Borowiecki is Associate Professor at the Department of Business and Economics at the University of Southern Denmark. He holds a PhD in Economics from Trinity College Dublin and a PhD in Economic History from Lund University. His research focuses primarily on cultural economics and economic history, but much of his work also touches on urban economics (creative clusters) and labor economics (especially the migration of creative people). He has published, among others, in the Review of Economics and Statistics, Journal of Urban Economics, Journal of Cultural Economics, European Review of Economic History and Oxford Economic Papers. He is the recipient of several academic prizes and grants, sits on the executive board of the Association for Cultural Economics International and is co-founder and co-editor of EconomistsTalkArt.org – a platform aimed at the dissemination of research-based policy analysis and commentary by cultural economists.

Neil Forbes is Professor of International History at Coventry University, and Co-ordinator of the FP7 RICHES project - Renewal, Innovation and Change: Heritage and European Society. His research interests and publications lie in the following fields: conflict heritage, contested landscapes and the memorialisation of war; creative archiving and cultural heritage; the processes of financial stabilisation in Europe after the First World War; Anglo-American relations and the rise of the Third Reich; the interaction of foreign policy formulation and diplomacy with the business practices of multinational enterprise during the interwar years. He has played a leading role in a number of EU and UK research projects, including a £1m digitisation project in association with BT and The National Archives.

Antonella Fresa is Director and Administrator of company Promoter Srl, she is an ICT expert and has been working on European cooperation projects since 1994. Since 2002, Technical Coordinator and  Communication Manager of several national and European projects in the domains of digital cultural heritage, smart cities, digital preservation, e-Infrastructures. From 2002 to 2012, advisor of the Italian Ministry of Cultural Heritage and Activities. From 1999 to 2002, Project Officer at the European Commission. Previously, researcher in the industry, and at Olivetti in Pisa, Ivrea and Cupertino (CA, USA). She regularly serves as independent expert for the European Commission and national research programmes. Author of articles about multilingual access to digital cultural Heritage, geo-coded digital cultural content, digital preservation. Enterprise Fellow at Coventry University. Project Manager of Digitalmeetsculture.net, the online communication platform powered by Promoter Srl.

Relaterte produkter