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Crime and Art Sociological and Criminological Perspectives of Crimes in the Art World

Oosterman, Naomi Yates, Donna
Heftet / 2022 / Engelsk

Produktdetaljer

ISBN
9783030848583
Publisert
2022-11-06
Utgiver
Vendor
Springer Nature Switzerland AG
Høyde
235 mm
Bredde
155 mm
Aldersnivå
Research, P, 06
Språk
Product language
Engelsk
Format
Product format
Heftet

Redaktør
Oosterman, Naomi
Yates, Donna

Om bidragsyterne

Dr. Naomi Oosterman is a permanent lecturer at the Department of Arts and Culture Studies at Erasmus University Rotterdam, and an affiliated researcher at the Heritage under Threat research group; part of the LDE Centre for Global Heritage and Development. Naomi finished her PhD dissertation titled "Policing the art world: Contradictions in International and National Perspectives" in 2019. Her research specialisations and interests are the policing of art and heritage crime, sociology of deviance, and the illicit trafficking of arts and antiquities. 

​Dr Donna Yates is an Associate Professor in the department of Criminal Law and Criminology at Maastricht University. Her research is focused on the transnational illicit trade in cultural objects, art and heritage crime, and white collar crime. Yates has recently been awarded a €1.5 million European Research Council starting grant to study how objects influence criminal networks,with a particular focus on objects such as antiquities, fossils, and rare and collectible wildlife. She’s interested in what draws people to these “criminogenic collectibles”, how they interact with them, and how these objects may inspire crimes.


Crime and Art Sociological and Criminological Perspectives of Crimes in the Art World

Oosterman, Naomi Yates, Donna
Heftet / 2022 / Engelsk
Oosterman, Naomi Yates, Donna
Heftet / 2022 / Engelsk
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This volume brings together work by authors who draw upon sociological and criminological methods, theory, and frameworks, to produce research that pushes boundaries, considers new questions, and reshape the existing understanding of "art crimes", with a strong emphasis on methodological innovation and novel theory application. Criminologists and sociologists are poorly represented in academic discourse on art and culture related crimes. However, to understand topics like theft, security, trafficking, forgery, vandalism, offender motivation, the efficacy of and results of policy interventions, and the effects art crimes have on communities, we must develop the theoretical and methodological models we use for analyses. The readership of this book is expected to include academics, researchers, and practitioners in the fields of criminology, sociology, law, and heritage studies who have an interest in art and heritage crime.
Les mer
This volume brings together work by authors who draw upon sociological and criminological methods, theory, and frameworks, to produce research that pushes boundaries, considers new questions, and reshape the existing understanding of "art crimes", with a strong emphasis on methodological innovation and novel theory application.
Les mer
Introduction.- Part I: Methods.- Transiting Through the Antiquities Market.- Exploring Taste Formation and Performance in the Illicit Trade of Human Remains on Instagram.- #antiquitiesdealers.- Evaluating the transformative potential of Photovoice for research into the global illicit trade in cultural objects.- A New Method of Forensic Archaeology.- Part II: Theory.- Cuneiform exceptionalism?.- Crime, Material and Meaning in Art World Desirescapes.- Authentically Exotic and Authentically Beautiful.- “Blitzkrieg Against Black Magic”.- Art Crime and the Myth of Violence.- Part III: Data Applications.- Small Museums, Big Problems.- Guardians in the Antiquities Market.- More Than Just Money.- Offender Motivations and Expectations of Data in Antiquities Looting.- One Flew over the Cuckoo’s Clock.
Les mer
This volume brings together work by authors who draw upon sociological and criminological methods, theory, and frameworks, to produce research that pushes boundaries, considers new questions, and reshape the existing understanding of "art crimes", with a strong emphasis on methodological innovation and novel theory application. Criminologists and sociologists are poorly represented in academic discourse on art and culture related crimes. However, to understand topics like theft, security, trafficking, forgery, vandalism, offender motivation, the efficacy of and results of policy interventions, and the effects art crimes have on communities, we must develop the theoretical and methodological models we use for analyses. The readership of this book is expected to include academics, researchers, and practitioners in the fields of criminology, sociology, law, and heritage studies who have an interest in art and heritage crime.
Les mer
Emphasis on criminological and sociological research in a field dominated by cultural heritage and legal studies Exploration and critical evaluation of criminological methods and theories that have not been previously applied Novel theoretical and methodological analysis of empirical data on art crime
Les mer

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This volume brings together work by authors who draw upon sociological and criminological methods, theory, and frameworks, to produce research that pushes boundaries, considers new questions, and reshape the existing understanding of "art crimes", with a strong emphasis on methodological innovation and novel theory application. Criminologists and sociologists are poorly represented in academic discourse on art and culture related crimes. However, to understand topics like theft, security, trafficking, forgery, vandalism, offender motivation, the efficacy of and results of policy interventions, and the effects art crimes have on communities, we must develop the theoretical and methodological models we use for analyses. The readership of this book is expected to include academics, researchers, and practitioners in the fields of criminology, sociology, law, and heritage studies who have an interest in art and heritage crime.
Les mer
This volume brings together work by authors who draw upon sociological and criminological methods, theory, and frameworks, to produce research that pushes boundaries, considers new questions, and reshape the existing understanding of "art crimes", with a strong emphasis on methodological innovation and novel theory application.
Les mer
Introduction.- Part I: Methods.- Transiting Through the Antiquities Market.- Exploring Taste Formation and Performance in the Illicit Trade of Human Remains on Instagram.- #antiquitiesdealers.- Evaluating the transformative potential of Photovoice for research into the global illicit trade in cultural objects.- A New Method of Forensic Archaeology.- Part II: Theory.- Cuneiform exceptionalism?.- Crime, Material and Meaning in Art World Desirescapes.- Authentically Exotic and Authentically Beautiful.- “Blitzkrieg Against Black Magic”.- Art Crime and the Myth of Violence.- Part III: Data Applications.- Small Museums, Big Problems.- Guardians in the Antiquities Market.- More Than Just Money.- Offender Motivations and Expectations of Data in Antiquities Looting.- One Flew over the Cuckoo’s Clock.
Les mer
This volume brings together work by authors who draw upon sociological and criminological methods, theory, and frameworks, to produce research that pushes boundaries, considers new questions, and reshape the existing understanding of "art crimes", with a strong emphasis on methodological innovation and novel theory application. Criminologists and sociologists are poorly represented in academic discourse on art and culture related crimes. However, to understand topics like theft, security, trafficking, forgery, vandalism, offender motivation, the efficacy of and results of policy interventions, and the effects art crimes have on communities, we must develop the theoretical and methodological models we use for analyses. The readership of this book is expected to include academics, researchers, and practitioners in the fields of criminology, sociology, law, and heritage studies who have an interest in art and heritage crime.
Les mer
Emphasis on criminological and sociological research in a field dominated by cultural heritage and legal studies Exploration and critical evaluation of criminological methods and theories that have not been previously applied Novel theoretical and methodological analysis of empirical data on art crime
Les mer

Produktdetaljer

ISBN
9783030848583
Publisert
2022-11-06
Utgiver
Vendor
Springer Nature Switzerland AG
Høyde
235 mm
Bredde
155 mm
Aldersnivå
Research, P, 06
Språk
Product language
Engelsk
Format
Product format
Heftet

Redaktør
Oosterman, Naomi
Yates, Donna

Om bidragsyterne

Dr. Naomi Oosterman is a permanent lecturer at the Department of Arts and Culture Studies at Erasmus University Rotterdam, and an affiliated researcher at the Heritage under Threat research group; part of the LDE Centre for Global Heritage and Development. Naomi finished her PhD dissertation titled "Policing the art world: Contradictions in International and National Perspectives" in 2019. Her research specialisations and interests are the policing of art and heritage crime, sociology of deviance, and the illicit trafficking of arts and antiquities. 

​Dr Donna Yates is an Associate Professor in the department of Criminal Law and Criminology at Maastricht University. Her research is focused on the transnational illicit trade in cultural objects, art and heritage crime, and white collar crime. Yates has recently been awarded a €1.5 million European Research Council starting grant to study how objects influence criminal networks,with a particular focus on objects such as antiquities, fossils, and rare and collectible wildlife. She’s interested in what draws people to these “criminogenic collectibles”, how they interact with them, and how these objects may inspire crimes.


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