Aesthetics, Applications, Artistry and Anarchy: Essays in Prehistoric and Contemporary Art A Festschrift in honour of John Kay Clegg, 11 January 1935 – 11 March 2015
Heftet /
2019
/ Engelsk
Produktdetaljer
ISBN
9781784919986
Publisert
2019
Utgiver
Vendor
Archaeopress Archaeology
Vekt
670 gr
Høyde
290 mm
Bredde
205 mm
Dybde
8 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
184
Om bidragsyterne
Dr Jillian Huntley is a Research Fellow at the Place Evolution Rock Art Heritage Unit in the Centre for Social and Cultural Research at Griffith University, Australia. She specialises in the physiochemical characterization of rock art and other archaeological pigments and has been privileged in recent years to work on high-profile Australasian finds.Dr George Nash is an Associate Professor at the Museum of Prehistoric Art, Quaternary and Prehistory Geosciences Centre, Maçao, Portugal. George has been a professional archaeologist for the past 25 years and has undertaken extensive fieldwork on prehistoric rock-art and mobility art in Chile, Denmark, Indonesia, Malaysia, Norway, Sardinia, Spain and Sweden. In addition to fieldwork, he has also written and presented programmes on European rock-art and contemporary graffiti for the BBC.
Scholar and artist John Clegg made a pioneering contribution to the study of rock art. He was the first in the Australian academy to teach rock art research as a dedicated subject (Sydney University 1965-2000), supervising the first graduate students with such specialty, subsequently supporting their careers. He is honoured here for much more than his novelty and the contributions in this monograph pay homage to the late John Kay Clegg’s diverse influence. Rock art researchers from around the globe traverses topics such as aesthetics, the application of statistical analyses, frontier conflict and layered symbolic meanings, the deliberate use of optical illusion, and the contemporary significance of ancient and street art. They cover rock art assemblages from Columbia, South Africa, Europe and across Clegg’s beloved Australia. They interrogate descriptive and analytic concepts such as repainting, memorialisation and graffiti, as well as questioning the ethical impactions of research practices touching rock art as a part of its study.
The tributes in this book are necessarily as individual as the man they honour, and John Clegg was certainly an individual. The longevity of ideas and perspectives Clegg brought to the pursuit of rock art research is demonstrated in this collection of works. Clegg’s continued relevance is testament to the value and magnitude of his contribution. He is a deserving subject for a Festschrift.
The tributes in this book are necessarily as individual as the man they honour, and John Clegg was certainly an individual. The longevity of ideas and perspectives Clegg brought to the pursuit of rock art research is demonstrated in this collection of works. Clegg’s continued relevance is testament to the value and magnitude of his contribution. He is a deserving subject for a Festschrift.
Les mer
This volume, in honour of John Kay Clegg, consists of papers by rock art researchers from around the world on topics such as aesthetics, the application of statistical analyses, frontier conflict and layered symbolic meanings, the deliberate use of optical illusion, and the contemporary significance of ancient and street art.
Les mer
Foreword – by Claire Smith
Prologue – by Jillian Huntley
Introduction – by Jo McDonald
AESTHETICS
Rock Art and the Possibility of Sensitive Cognition in the Ancient Americas – by Reinaldo Morales Jr. and Howard Risatti
Rock art in the landscape: John Clegg’s path – by Thomas Heyd
APPLICATIONS
Rock engravings in western New South Wales: A comparative analysis of the Panaramitee Tradition site of Sturts Meadows – by Natalie R. Franklin
The Rock Art of Aboriginal Australia from Pleistocene to the Present – by Josephine Flood
The contemporary cultural significance of Gallery Rock, a petroglyph complex recently found in Wollemi National Park, New South Wales, Australia – by Paul S.C. Taçon, Wayne Brennan, Graham King, Dave Pross and Matthew Kelleher
ARTISTRY
Degrees of change: amendment and alteration in Australian Aboriginal rock art – by Robert G. Gunn
Optical illusions and perceptual determinants in rock art – by Ben Watson
Symbolism, aesthetics, and narrative in rock art – by Jamie Hampson
ANARCHY
On thinking outside the square as a strategy for seeing into the innermost circle or how a reading of graffiti may help to penetrate the cave wall with thanks to John Clegg – by Margaret Bullen
Breaking the House Rules: The Politics and Grammar of Disrespecting Contemporary Graffiti – by George Nash
APPENDICES
A Touching Debate – by compiled by Jane Kolber
John Clegg at the antipodes of Palaeolithic representations: the Panaramitee Style – by Denis Vialou
University Administrators and Mathesis – by Christopher Chippindale
Parting Remarks – by Jillian Huntley and George Nash
John Clegg’s published works
Select sculptural works by John Clegg
Prologue – by Jillian Huntley
Introduction – by Jo McDonald
AESTHETICS
Rock Art and the Possibility of Sensitive Cognition in the Ancient Americas – by Reinaldo Morales Jr. and Howard Risatti
Rock art in the landscape: John Clegg’s path – by Thomas Heyd
APPLICATIONS
Rock engravings in western New South Wales: A comparative analysis of the Panaramitee Tradition site of Sturts Meadows – by Natalie R. Franklin
The Rock Art of Aboriginal Australia from Pleistocene to the Present – by Josephine Flood
The contemporary cultural significance of Gallery Rock, a petroglyph complex recently found in Wollemi National Park, New South Wales, Australia – by Paul S.C. Taçon, Wayne Brennan, Graham King, Dave Pross and Matthew Kelleher
ARTISTRY
Degrees of change: amendment and alteration in Australian Aboriginal rock art – by Robert G. Gunn
Optical illusions and perceptual determinants in rock art – by Ben Watson
Symbolism, aesthetics, and narrative in rock art – by Jamie Hampson
ANARCHY
On thinking outside the square as a strategy for seeing into the innermost circle or how a reading of graffiti may help to penetrate the cave wall with thanks to John Clegg – by Margaret Bullen
Breaking the House Rules: The Politics and Grammar of Disrespecting Contemporary Graffiti – by George Nash
APPENDICES
A Touching Debate – by compiled by Jane Kolber
John Clegg at the antipodes of Palaeolithic representations: the Panaramitee Style – by Denis Vialou
University Administrators and Mathesis – by Christopher Chippindale
Parting Remarks – by Jillian Huntley and George Nash
John Clegg’s published works
Select sculptural works by John Clegg
Les mer
Produktdetaljer
ISBN
9781784919986
Publisert
2019
Utgiver
Vendor
Archaeopress Archaeology
Vekt
670 gr
Høyde
290 mm
Bredde
205 mm
Dybde
8 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
184
Om bidragsyterne
Dr Jillian Huntley is a Research Fellow at the Place Evolution Rock Art Heritage Unit in the Centre for Social and Cultural Research at Griffith University, Australia. She specialises in the physiochemical characterization of rock art and other archaeological pigments and has been privileged in recent years to work on high-profile Australasian finds.Dr George Nash is an Associate Professor at the Museum of Prehistoric Art, Quaternary and Prehistory Geosciences Centre, Maçao, Portugal. George has been a professional archaeologist for the past 25 years and has undertaken extensive fieldwork on prehistoric rock-art and mobility art in Chile, Denmark, Indonesia, Malaysia, Norway, Sardinia, Spain and Sweden. In addition to fieldwork, he has also written and presented programmes on European rock-art and contemporary graffiti for the BBC.