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ANDREW MARTIN is a prolific author of fiction and non-fiction books. His non-fiction has sometimes had a railway theme, and his novels include the award-winning 'Jim Stringer' thrillers, set on Britain's railways in the early 20th century, which have collectively sold over 300,000 copies. His most recent novels are The Winker (as AJ Martin) and The Night in Venice. His most recent non-fiction book is Yorkshire: There and Back. He writes the 'Reading on Trains' Substack, and his website is at martinesque.co.uk.'An utterly enjoyable voyage under Paris'
Christopher Howse, THE OLDIE
'Andrew Martin's entertaining study of the Parisian underground is a welter of timetables, carriage types, ticket colours and technical savvy'
Telegraph
'no tunnel goes unvisited, no track uninspected... it is an eclectic blend of engineering and travelogue, urban planning and anecdote... a sincere love letter'
The Economist
'Delightful and diverting... Martin is the most unpretentious and companionable of guides; the book is great fun'
Literary Review
'An utterly enjoyable voyage under Paris' - THE OLDIE
'Delightful and diverting... Martin is the most unpretentious and companionable of guides; the book is great fun' - LITERARY REVIEW
'An eclectic blend of engineering and travelogue, urban planning and anecdote... a sincere love letter' -THE ECONOMIST
Andrew Martin has been described as 'the laureate of railways', having written many books with railway themes. But Andrew has always been obsessed with the Paris Metro, hence Metropolitain: An Ode to the Paris Metro, the first English history of the Metro for the general reader.
Metropolitain is as stylish as the Metro itself and laced with cultural references. Andrew explains why Last Tango in Paris is a great Metro film, and what the Metro chase scene in the classic thriller, Le Samourai, says about Parisian culture. He describes how he came to appreciate the beauty of Guimard's sinuous green Metro entrances when he bought a lily of the valley and observed it flowering on his desk. We meet Andrew's half-English, half-French friend, Julian, who runs a society dedicated to Metro history. He tells Andrew, 'A Metro station is like the wine cellar of chateau, which is a very nice thing to be reminded of.'
The book takes the reader on a constant tour of Paris, both underground and over. But Paris, and the Metro, is changing, undergoing a huge expansion. This, and the imminence of the Paris Olympics, make this a timely title.
Andrew Martin has been described as 'the laureate of railways', having written many books with railway themes. But Andrew has always been particularly fascinated by the Paris Metro, hence Metropolitain: An Ode to the Paris Metro, a lyrical appreciation of the system for the general reader.
Metropolitain is as stylish as the Metro itself and laced with cultural references. Andrew explains why Last Tango in Paris is a great Metro film, and what the Metro chase scene in the classic thriller, Le Samouraï, says about Parisian culture. He describes how he came to appreciate the beauty of Guimard's sinuous green Metro entrances when he bought a lily of the valley and observed it flowering on his desk. We meet Andrew's half-English, half-French friend, Julian, who runs a society dedicated to Metro history. He tells Andrew, 'A Metro station is like the wine cellar of château, which is a very nice thing to be reminded of.'
In Metropolitain, Andrew takes the reader on a tour of Paris, both underground and over, offering a unique look at the city and its Metro as both undergo significant change.