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Megan Hunter is a prizewinning novelist, dramatist and screenwriter. Her first novel, The End We Start From (2017) was shortlisted for Novel of the Year at the Books Are My Bag Awards, longlisted for the Aspen Words Prize, was a Barnes and Noble Discover Awards finalist and won the Forward Reviews Editor’s Choice Award. It was adapted into a major motion picture by Alice Birch, starring Jodie Comer and directed by Mahalia Belo. Her second novel, The Harpy (2020), was Indie Book of the Month; she is currently adapting it for television with Red Planet Pictures. In 2024 her dramatic monologue Salt of the Earth premiered at Venice Film Festival. Megan’s other writing has appeared in the White Review, the TLS, Literary Hub, Vogue, Elle, BOMB, and elsewhere. She lives in Cambridge, UK.<i>The Harpy </i>is <b>brilliant</b>. Hunter imbues the everyday with apocalyptic unease. A <b>deeply unsettling, excellent </b>read.
- Daisy Johnson, Booker shortlisted author of <i>Everything Under</i>,
In <i>The Harpy, </i>Hunter has articulated female rage in a way that lives on in your bones and in your gut. <b>A genuinely thrilling read</b>, one long beautiful scream.
- Evie Wyld,
Megan Hunter’s <b>potent contemporary fable</b> about the enduring taboo of female fury becomes especially relevant. <b>Every bit as riveting as her debut</b> <i>The End We Start From</i> . . . the ensuing drama blends mythic motifs with pointed swipes at modern motherhood’s double binds.
Guardian
<i>The Harpy</i> is an <b>almost perfect </b>book. The premise is so simple, and the execution so <b>flawless </b>. . . <b>I've talked about it more than anything else I've read so far this year</b>: I love explaining the set-up to friends and watching their eyes widen. It's so dark and so much fun.
- Kristen Roupenian, author of <i>Cat Person</i>,
Hunter writes <b>viscerally and incisively</b> about the taboos of female desire and rage . . . [a] <b>striking, pared-down modern myth</b>
Daily Mail
<b>A fiery tale of infidelity </b>. . . she manages to elevate her story to something that is at once rooted in the everyday and effortlessly transcends it . . . <b> a gripping, psychologically astute</b> account of a relationship in free-fall
Scotsman
<b>Sentence after sentence made my skin bump</b>. Not just with what the sentence said, but because the writing was so very, very good. It's<b> a brilliant piece of work</b>.
- Cynan Jones, author of <i>Cove</i>,
<b>Utterly compelling </b>. . . so <b>precise and darkly truthful</b>. I thought it succeeding in illuminating - with flair and originality - the damage done by betrayal.
- Esther Freud,
<b>I was utterly spellbound</b>. Her<b> dark humour and pointillist prose puts her in league with Lydia Davis and Jenny Offil</b>, masterfully rendering the emotional shock of a protagonist finding her life has become story.
- Olivia Sudjic, author of <i>Sympathy</i>,
A <b>sharp, timely and darkly funny</b> novel about maternal love and sacrifice, and the incandescent rage that festers beneath it. Hunter's writing is <b>beautiful and spare, uncanny and hilarious. I utterly loved it.</b>
- Luiza Sauma, author of<i> Flesh and Bone and Water</i>,
A <b>beautifully written, viscerally disturbing</b> novel that turns the narrative of the cheated-on wife on its head
- Laura Kaye, author of <i>English</i> <i>Animals</i>,
Megan Hunter effortlessly <b>compels us to feel both heartbreak and the momentary gratification of revenge</b> . . . devastating in its evocation of the expense and sometimes fatal strain of passion, grief, and rage.’
- Susanna Moore, author of <i>In the Cut</i>,
<i>The Harpy</i> is a <b>taut and lyrical </b>novel about cosily calibrated lives coming spectacularly undone. <b>Compulsively absorbing yet otherworldly</b>, both a fever dream and a gorgeous and alarming howl of rage.
- Sharlene Teo, author of <i>Ponti</i>,
In <b>hungry, restless prose</b>, Megan Hunter <b>tears apart the seam between motherhood and the monstrous</b>. She confronts the fear of female anger and asks us what happens when pain that has been swallowed through generations begins to rush to the surface.
- Jessica Andrews, author of <i>Saltwater</i>,
On one level it is the <b>psychological excavation of a suburban marriage</b> on the rocks, on another,<b> a spell to summon primeval feminine power</b>. Above all, it is prose informed by poetry . . . a <b>brilliant and eviscerating </b>work of literary fiction
Review 31
With shades of Carmen Maria Machado and Karen Russell, Hunter turns in an unforgettable magical realist story of power, revenge, and transformation.
Esquire
A <b>blisteringly tense, brilliant book </b>about <b>adultery, betrayal, motherhood and revenge</b>
- Amanda Craig,