"Kimmage's training as a historian and his deep knowledge of Roth's work show in both his expert historical interpretation and his fine close readings . . . The interpretations are passionately argued and abundantly documented, with many excursions into Roth's other works and those of writers important to him, like Melville and especially Kafka. This is a valuable addition to Roth scholarship . . . Highly recommended."

- T. H. Oliviero, <i>CHOICE</i>

"Michael Kimmage, part of a rising new generation of American scholars, does true justice to the work of Philip Roth, an American master beyond compare. Kimmage's book is well-researched and erudite, but it is also warm and thoughtful and full of the very humanity that permeates Roth's work. It is a treat for both those in the academy and those who simply love good literature."

- Gary Shteyngart, author of <I>Absurdistan</I> and <I>Super Sad True Love Story</I>

"Michael Kimmage has uncovered a masterpiece. In the history of literature, the critic is often as essential as the writer in establishing the significance of a work and in defining its importance. Kimmage fills in the history of Newark as Roth experienced it in his childhood and shows the way the city acquired epic significance in Roth's literary interpretation of America. If Philip Roth does win the Nobel Prize for which he has often been nominated, this new book on his 'Newark trilogy' will have played its part in the process."

- Ruth Wisse, Harvard University