“I have to begin where everything begins, in the blindness and in the shaddows. I have to begin the story of women's development where all things begin; in nature, at the roots. It is necessary to return to the origin of confusion which is woman's struggle to understand her own nature.”

from the prologue (first edition)

“My original concept was a Roman Fleuve, a series of novels on various aspects of relationships, portraying four women in a continuous symphony of experience. All the characters are presented fully in the first volume, <em>Ladders to Fire</em>. They are developed later in the succeeding volumes, <em>Children of the Albatross</em>, <em>The Four-Chambered Heart</em>, <em>Spy in the House of Love</em>, and <em>Seduction of the Minotaur</em>.”

from the introduction (British edition)

Anais Nin's Ladders to Fire interweaves the stories of several women, each emotionally inhibited in her own way: through self-doubt, fear, guilt, moral drift, and distrust. The novel follows their inner struggles to overcome these barriers to happiness and wholeness. The author's own experiences, as recorded in her famous diaries, supplied the raw material for her fiction. It was her intuitive, experimental, and always original style that transformed one into the other. Nin herself memorably claimed that "it was the fiction writer who edited the diary." Ladders to Fire explores the erotic attachments of four young women. Nin described it as a "woman's struggle to understand her own nature." It began a five-volume "continuous novel," Cities of the Interior, which includes Children of the Albatross (1947), The Four-Chambered Heart (1950), A Spy in the House of Love (1954), and Solar Barque (1959).Set in the pre-war, expatriate Paris of Henry Miller, this novel - which shocked Nin's contemporaries - draws its inspiration from her confessional diaries. Although Nin found in her diaries a profound mode of self-creation and confession, she could not reveal this intimate record of her own experiences during her lifetime. Instead, she turned to fiction, where her stories and novels became artistic "distillations" of her secret diaries. This 1995 reissue of of the 1946 novel Ladders to Fire has a new cover and foreword. This Swallow Press reissue of Ladders to Fire includes a new introduction by Nin scholar Benjamin Franklin V, as well as Gunther Stuhlmann's classic foreword to the 1995 edition.
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After struggling with her own press and printing her own works, Anaïs Nin succeeded in getting Ladders to Fire accepted and published in 1946. This recognition marked a milestone in her life and career. Admitted into the fellowship of American novelists, she maintained the individuality of her literary style.
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Produktdetaljer

ISBN
9780804001816
Publisert
1959-01-01
Utgiver
Vendor
Swallow Press
Høyde
203 mm
Bredde
127 mm
Aldersnivå
UU, UP, P, 05, 06
Språk
Product language
Engelsk
Format
Product format
Heftet

Forfatter
Foreword by

Om bidragsyterne

After struggling with her own press and printing her own works, Anaïs Nin succeeded in getting Ladders to Fire accepted and published in 1946. This recognition marked a milestone in her life and career. Admitted into the fellowship of American novelists, she maintained the individuality of her literary style. She resisted realistic writing and drew on the experience and intuitions of her diary to forge a novelistic style emphasizing free association, the language of emotion, spontaneity, and improvisation.

Ladders to Fire is the first volume of Nin’s celebrated series of novels called Cities of the Interior

For Anaïs Nin, her writing and her life were not separable, they were both part of the same experience. She claimed that “is it the fiction writer who edited the diary.”

Anaïs Nin continues to find an audience, whether for her fiction, her diaries, or her own life story, which has enjoyed the attention of biographers and filmmakers. This 1995 reissue of Ladders to Fire has a new cover and foreword.